Rabu, 30 November 2011

Great Lakes Select Honey, Clover, 32-Ounce Bottles (Pack of 3)

Fame

  • Sevenes a day and a hot lunch. That's what New York City's High School for the Performing Arts guarantees. Stardom? That's something the school's teenage musicians, actors, dancers and dreamers strive for.Fame sings the body electric, celebrating the growing-up process of honing talent, confronting realities, finding love, living life. Director Alan Parker (Evita, The Commitments) brings an energe
Seven classes a day and a hot lunch. That's what New York City's High School for the Performing Arts guarantees. Stardom? That's something the school's teenage musicians, actors, dancers and dreamers strive for. Fame sings the body electric, celebrating the growing-up process of honing talent, confronting realities, finding love, living life. Director Alan Parker (Evita, The Commitments) brings an energetic style to the crisscrossing stories of students (including future Academy Award winner Iren! e Cara, Paul McCrane (ER), Barry Miller (Saturday Night Fever) and two who returned in the later TV series, Gene Anthony Ray and Lee Curreri). Nominated for six Academy Awards, Fame won Oscars for its dynamic score and title tune.This early effort by director Alan Parker is lively but jagged as it follows four students through their years in the New York City High School for the Performing Arts. Rather predictably, the kids fall into four clearly defined stereotypes: brazen, gay and hypersensitive, prickly, shy. It makes up for a disjointed presentation with a lot of heart and a great soundtrack (for which it won two Academy Awards). The hopes and disappointments, failures and successes of these teens are fodder for emotional scenes and exuberant dancing in the streets. It also turned out to be the first of many imitators and spawned a popular television series. (It was the breakout film for the short-lived feature film career of Irene Cara, who sang the title song.) --R! ochelle O'Gorman

Howling at the Moon (Tales of an Urban Werewolf, Book 1)

  • Paranormal
  • Shape Shifters
  • Romance

Using his father's watch as a key, Jake intends to return to Calypsos. Instead he's thrust into a strange desert land where he's joined by his friends Marika, Pindor, and Bach'uuk and his sister, Kady. As they try to figure out what to do next, a surprise attack by the beautiful young Princess Nefertiti takes them all captive.

Soon even she is battling the Skull King's minions. For Jake has something the Skull King wantsâ€"a prize that will give its owner awesome power, including control of the fearsome Howling Sphinx. In a new pounding adventure, Jake races against time to outfight and outwit Kalverum Rex, knowing that if the Skull King wins, he'll be unstoppable.

Filled with unexpected danger, challenging puzzles, and dazzling action, this is a first-rate, fast-paced thrillerâ€"a read only James Rollins could have creat! ed!


Amazon Exclusive: James Rollins on Writing Jake Ransom and the Howling Sphinx

Over the years, I’ve always included a note at the end of my thrillers, where I address what’s true and what’s not in my novelsâ€"so I thought I’d do the same here.

But before I get started, a bit about myself. Though I earned my degree in veterinary medicine, I’ve always been an armchair archaeologist. I’ve loved all things buried and lost to time. In fact, I maintain a Cabinet of Curiosities at home, where I display all manner of the weird and strangeâ€"from giant fossilized specimens to tiny, pinned insects. And gracing the top of the cabinet is a massive 100,000-year-old mammoth tusk from China.

So as you might guess, the young adventurer Jake Ransom is close to my heartâ€"and for Jake, I saved my wildest and best adventure of all.

The series is chocked full of the fantastic, but it’s also gro! unded in reality. Each novel centers on a different lost cultu! re from Earth’s past. First up are the ancient Maya. Throughout the book appear various Mayan glyphs, the symbolic writing of these Mesoamerican people. The glyphs in the book are real, and each plays an important role in the adventure. Likewise, details of the Mayan cultureâ€"from the clothing they wear to their astounding skill at astronomyâ€"are all factual and integral to the story. Additionally, there are several fun facts for kids, too… like how the ancient Maya invented chocolate and chewing gum.

Lastly, for this series I’ve also created my own cryptic language, snatches of which appear in this novel. The alphabet breaks down to English equivalents, so for the more industrious readers, they can translate these bits of language to reveal secret messages.

So that’s just a hint of the truth behind the fantastic world of Jake Ransom. I hope you grab a backpack and come join meâ€"the adventure is just beginning!

Found running wild in the forest o! f Ashton Place, the Incorrigibles are no ordinary children: Alexander, age ten or thereabouts, keeps his siblings in line with gentle nips; Cassiopeia, perhaps four or five, has a bark that is (usually) worse than her bite; and Beowulf, age somewhere-in-the-middle, is alarmingly adept at chasing squirrels.

Luckily, Miss Penelope Lumley is no ordinary governess. Only fifteen years old and a recent graduate of the Swanburne Academy for Poor Bright Females, Penelope embraces the challenge of her new position. Though she is eager to instruct the children in Latin verbs and the proper use of globes, first she must help them overcome their canine tendencies.

But mysteries abound at Ashton Place: Who are these three wild creatures, and how did they come to live in the vast forests of the estate? Why does Old Timothy, the coachman, lurk around every corner? Will Penelope be able to teach the Incorrigibles table manners and socially useful phrases in time for Lady ! Constance's holiday ball? And what on earth is a schottische? !

DYLA N'S SCOUT TROOP goes camping in Halape, a remote spot below the volcano on the Big Island of Hawaii. The only thing wrong with the weekend on a beautiful, peaceful beach is Louie, a tough older boy. Louie and Dylan just can't get along.

That night an earthquake rocks the camp, and then a wave rushes in, sweeping everyone and everything before it. Dylan and Louie must team up on a dangerous rescue mission. The next hours are an amazing story of survival and the true meaning of leadership.


From the Hardcover edition.“A swift-paced, fun romp.”
â€"Charlaine Harris, New York Times bestselling author

Romance is about to get a little hairy.

Sophie Garou seems to have it all: a great job at a prestigious accounting firm, a closet that rivals a Nordstrom showroom, and a terrific boyfriend who isn’t afraid to use the “M” word. There’s just one little itty-bitty problem: Sophie is a werewolfâ€"and her time of month has a whole new m! eaning.

Needless to say, life among yummy flesh-and-blood humans is no piece of steak . . . er, cake!, but regular doses of wolfsbane tea and a mother who runs a magic shop have helped Sophie keep her paranormal pedigree under wraps. Still, when a sexy, golden-eyed werewolf prowls into town, Sophie finds herself struggling to keep her animal impulses in checkâ€"not to mention trying to keep things on track with her super hot (and super human) lawyer boyfriend. What’s more, someone is threatening to expose Sophie for what she really is. And when her mother is accused of selling a poison-laced potion, Sophie must sniff out a culprit before the fur hits the fan.

DON’T MISS THE NEXT BOOK IN THIS HAIR-RAISING TRILOGY: ON THE PROWL

Be Cool About Fire Safety

  • Learn valuable fire safety lessons
Starring an unbelievably hip all-star cast, including John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and bursting with the hottest music in the biz, Be Cool is the wildly hilarious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Better than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 s! equel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurman) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff ShannonStudio: Tcfhe/mgm Release Date: 07/05/2011 Rating: Pg13Starring an unbelievably hip all-star cast, including John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and b! ursting with the hottest music in the biz, Be Cool is the wild! ly hilar ious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Better than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 sequel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurman) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss! (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff ShannonDisc 1: GET SHORTY Disc 2: BE COOLGolden Globe(r) winner* John Travolta leads an all-star cast in the hysterical comedy thatTime calls "smart, shrewdly crafted [and] hilarious!" Loan shark Chili Palmer (Travolta) is bored with the business. So when he arrives in LA to collect a debt from down-and-out filmmaker Harry Zimm (Gene Hackman), Chili talks tough...and then pitches Harry a script idea. Immediately, Chili is swept into the Hollywood scene: He schmoozes film star Martin Weir (Danny DeVito! ), romances B-movie queen Karen Flores (Rene Russo) and even g! ets rese rvations at the hottest restaurants intown. In fact, all would be smooth for this cool new producer, if it weren't for the drug smugglersand the angry mobster who won't leave him alone! *1996: Actor (Comedy)Get ShortyHailed by many critics as one of the best films of 1995, this finely tuned black comedy sparked a renewed interest in movies based on books by prolific crime novelist Elmore Leonard, whose trademark combination of tight plotting and sharp humor is perfectly captured here. After the success of Pulp Fiction, John Travolta continued his meteoric comeback as Chili Palmer, a Mob "mechanic" whose latest assignment takes him to Los Angeles, where his fascination with the movie business turns into a new career as a would-be movie producer. He pitches ideas with a sleazy producer (Gene Hackman) and a major star (Danny DeVito), and also finds time to deal with a vengeful Mobster (Dennis Farina) and assorted Hollywood types (including Renee Russo and Delroy Lindo) ! who all want their piece of a tempting show-biz pie. The plot unfolds with enticing precision, but it's really Elmore's snappy dialogue--and the performances that bring it to life--that make this one of the best comedies of the 1990s. --Jeff Shannon

BRONZE FAMILY TREE PICTURE FRAME - BRONZE FAMILY TREE WITH 6 HANGING PICTURE ...

Gray Matter

  • From highly acclaimed filmmaker Joe Berlinger (Brother's Keeper, Paradise Lost 1 & 2, Metallica: Some Kind of Monster)--one of the leading voices in American independent non-fiction cinema-comes Gray Matter, a riveting true-life mystery and perhaps the most baffling conspiracy story ever told about World War II. In the spring of 2002, Berlinger traveled to Vienna to witness the burial of the p
In this hilarious romantic comedy, Gray (Heather Graham) helps her brother (Tom Cavanaugh) find the love of his life. But the night before her brother's wedding, Gray's world is turned upside-down when she discovers that she has feelings for his fiancé (Bridget Moynahan)! With the help of a sarcastic co-worker (Molly Shannon), a sympathetic cab driver (Alan Cumming), and her therapist (Oscar-winner Sissy Spacek), Gray is forced to figure out who she really is.Gray Matters has one of the most ado! rable casts of any movie in recent years--the combined sweetness of Heather Graham (Austin Powers: The Spy Who Shagged Me), Bridget Moynahan (Lord of War), Molly Shannon (Year of the Dog), Thomas Cavanagh (Ed), Alan Cumming (X-Men 2), and Sissy Spacek (Carrie, In the Bedroom) narrowly avoids being diabetes-inducing. Gray (Graham) and her brother Sam (Cavanagh) have been best friends forever--so close that they find it hard to date. Gray pushes Sam into asking out Charlie (Moynahan), but when Sam and Charlie hit it off so well they spontaneously decide to get married, Gray finds herself unexpectedly dismayed... but not as dismayed as she is when, on a girls' night out before the ceremony, she and Charlie share a drunken kiss that sets Gray's body tingling. Gray Matters juggles a lot of emotional issues; the sibling interconnectedness problem doesn't flow smoothly into the coming-out story of the movie's second half. Bu! t sprinkled throughout are charming scenes and wonderfully def! t moment s that make the story's clumsy missteps all the more baffling. There's no question that Graham is a star who just can't seem to find the right vehicle; Gray Matters won't be her breakthrough, but it's further evidence of her significant appeal. --Bret FetzerFrom highly acclaimed filmmaker Joe Berlinger (Brother's Keeper, Paradise Lost 1 & 2, Metallica: Some Kind of Monster)--one of the leading voices in American independent non-fiction cinema-comes Gray Matter, a riveting true-life mystery and perhaps the most baffling conspiracy story ever told about World War II. In the spring of 2002, Berlinger traveled to Vienna to witness the burial of the preserved brains from over 700 children who were experimented upon in a Nazi "euthanasia" clinic. Gray Matter chronicles the director's personal journey as he searches for forensic psychiatrist Dr. Heinrich Gross (notoriously nicknamed "the Austrian Dr. Mengele"), who allegedly participated in these mad-scientist trial! s for decades after the Holocaust and the end of the war. Along his path towards the unknown, Berlinger meets clinic survivors and other remarkable voices, each of whom has new light to shed upon this shadowy legacy and the nation that now grapples with its own denial. Is Dr. Gross alive? Is he in hiding? Should his advanced age and scientific aspirations be measured today against the accountability of his misdeeds? Raising provocative yet respectful questions of guilt, redemption and the ethics of mankind, Berlinger sorts out the twists in one of history's lesser-known, unsolved puzzles.

Humpday

  • It s been a decade since Ben (Duplass) and Andrew (Leonard) were the bad boys of their college campus. Ben has settled down and found a job, wife, and home. Andrew took the alternate route as a vagabond artist, skipping the globe from Chiapas to Cambodia. When Andrew shows up unannounced on Ben s doorstep, they easily fall back into their old dynamic of macho one-upmanship. Late into the night at
It's been a decade since Ben (Duplass) and Andrew (Leonard)
were college bad boys. Ben is living contently with a good job and a great wife, until his old buddy Andrew shows up on his doorstep late one night. Andrew, who lives as a vagabond artist, invites Ben out to a wild party. Excessive drinking
combined with the irrational need to oneup each other, leads to a mutual dare that locks them into entering an
amateur porn contest together.A bromantic comedy par excellence, Humpday push! es the concept of male bonding and male competition (so often intertwined) to its end point. Two old buddies, Ben (Mark Duplass) and Andrew (Joshua Leonard), reunite after a few years' time. Mark is living the bourgeois life in Seattle, with a home, a wife (Alycia Delmore), and a responsible job. Andrew's just blown in from vagabonding around Mexico, and his bohemian cred is as thick as his beard. When the buds drunkenly vow to participate in a local amateur porn-movie contest with themselves as stars, the stage is set for a game of staredown: neither guy wants to be the first to blink and admit he isn't quite open-minded or free-swinging enough for the stunt. (One large roadblock: Ben needs to actually convey the information about the film project to his wife, a dilemma that leads to some of the movie's funniest scenes.) Director Lynn Shelton works in an improvisatory style, figuring out the dialogue with the actors and creating a loose, frowzy atmosphere within scenes. Th! at sense of verisimilitude helps sell the whopper of a premise! , but wh at's even more impressive is Shelton's laser-like sense of male insecurity and rivalry (also on view in her previous picture, My Effortless Brilliance). Duplass (from The Puffy Chair) and Leonard (a Blair Witch trekker) play this to the hilt, particularly in the gloriously uncomfortable climatic scene, when push, shall we say, is going to have to come to shove. Humpday was a Sundance breakout in 2009, coming out of nowhere (i.e., Seattle, Shelton's home base) and snagging a summer release. And why not? If the specific plot isn't exactly a universal experience, the movie's underlying anxieties certainly are. --Robert Horton

Despicable Me (Single-Disc Edition)

  • “**** This Year’s COOLEST Animated Comedy! - Jeff Craig, Sixty Second PreviewGet ready
  • From executive producer Chris Meledandri (Horton Hears a Who, Ice Age), and featuring the voices of
“**** This Year’s COOLEST Animated Comedy!” â€" Jeff Craig, Sixty Second Preview

Get ready for a minion laughs in the funniest blockbuster hit of the year!

Vying for the title of “World’s Greatest Villain”, Gru (voiced by Steve Carell) â€" along with his hilarious crew of mischievous minions â€" plots to pull off the craziest crime of the century: steal the moon! But when Gru enlists the help of three little girls, they see something in him nobody else has ever seen: the perfect dad. From executive producer Chris Meledandri (Horton Hears a Who, Ice Age), and featuring the voices of an all-star comedic cast, including Jason Segel, Russell Brand, Miranda Cosgrove an! d Julie Andrews, Despicable Me is “rousingly funny, heartfelt and imaginative” (Pete Hammond, Boxoffice Magazine).Despicable Me is a compelling animated comedy about an aging supervillain's falling popularity at the hands of a younger supervillain and three young orphan girls. Gru is a true, bad-to-the-core evildoer who's earned the title of the world's No. 1 supervillain. But when young upstart Vector steals the Pyramid of Giza, Gru's status suddenly sinks to No. 2. Gru counters his fall by speeding up his plan to shrink and steal the moon, enlisting the help of his army of minions and the elderly Dr. Nefario, but a lack of funding and the difficulties involved in stealing the needed shrink-ray gun threaten to derail everything. Adopting three young orphan girls is an unlikely, but seemingly effective means to further Gru's evil mission, but Gru quickly discovers that caring for three young girls is more work, and distraction, than he could ever have anticipated! . What unfolds is an unexpected shift in attitude that will fo! rever ch ange the lives of Gru, Vector, and all three young girls. A visually appealing film produced by Chris Meledandri (Ice Age, Ice Age 2: The Meltdown, and Horton Hears a Who), Despicable Me is full of weirdly shaped characters and settings that are somehow a perfect fit for Sergio Pablos's story. What's especially refreshing is that in this film, 3-D effects are used skillfully and effectively: even when the effects are exploited for comic reasons, they don't become a distraction, as is all too common in many recent movies. The film is full of corny banter and silly antics that inspire plenty of spontaneous laughter, and the minions, while not the best-developed characters, sure are comical. Ultimately, there's also a wholesome message about following one's heart. Steve Carell is the perfect villain-gone-soft in his role as Gru, Jason Segal is quite funny as Vector, and Julie Andrews makes a surprising appearance as Gru's very un-motherly mom. The st! ory isn't new, the humor is relatively juvenile and somewhat forgettable, and it's no Toy Story 3, but Despicable Me celebrates silliness in a way that's satisfying and highly entertaining. (Ages 6 and older) --Tami Horiuchi
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