Rabu, 30 November 2011

Great Lakes Select Honey, Clover, 32-Ounce Bottles (Pack of 3)

Fame

  • Sevenes a day and a hot lunch. That's what New York City's High School for the Performing Arts guarantees. Stardom? That's something the school's teenage musicians, actors, dancers and dreamers strive for.Fame sings the body electric, celebrating the growing-up process of honing talent, confronting realities, finding love, living life. Director Alan Parker (Evita, The Commitments) brings an energe
Seven classes a day and a hot lunch. That's what New York City's High School for the Performing Arts guarantees. Stardom? That's something the school's teenage musicians, actors, dancers and dreamers strive for. Fame sings the body electric, celebrating the growing-up process of honing talent, confronting realities, finding love, living life. Director Alan Parker (Evita, The Commitments) brings an energetic style to the crisscrossing stories of students (including future Academy Award winner Iren! e Cara, Paul McCrane (ER), Barry Miller (Saturday Night Fever) and two who returned in the later TV series, Gene Anthony Ray and Lee Curreri). Nominated for six Academy Awards, Fame won Oscars for its dynamic score and title tune.This early effort by director Alan Parker is lively but jagged as it follows four students through their years in the New York City High School for the Performing Arts. Rather predictably, the kids fall into four clearly defined stereotypes: brazen, gay and hypersensitive, prickly, shy. It makes up for a disjointed presentation with a lot of heart and a great soundtrack (for which it won two Academy Awards). The hopes and disappointments, failures and successes of these teens are fodder for emotional scenes and exuberant dancing in the streets. It also turned out to be the first of many imitators and spawned a popular television series. (It was the breakout film for the short-lived feature film career of Irene Cara, who sang the title song.) --R! ochelle O'Gorman

Howling at the Moon (Tales of an Urban Werewolf, Book 1)

  • Paranormal
  • Shape Shifters
  • Romance

Using his father's watch as a key, Jake intends to return to Calypsos. Instead he's thrust into a strange desert land where he's joined by his friends Marika, Pindor, and Bach'uuk and his sister, Kady. As they try to figure out what to do next, a surprise attack by the beautiful young Princess Nefertiti takes them all captive.

Soon even she is battling the Skull King's minions. For Jake has something the Skull King wantsâ€"a prize that will give its owner awesome power, including control of the fearsome Howling Sphinx. In a new pounding adventure, Jake races against time to outfight and outwit Kalverum Rex, knowing that if the Skull King wins, he'll be unstoppable.

Filled with unexpected danger, challenging puzzles, and dazzling action, this is a first-rate, fast-paced thrillerâ€"a read only James Rollins could have creat! ed!


Amazon Exclusive: James Rollins on Writing Jake Ransom and the Howling Sphinx

Over the years, I’ve always included a note at the end of my thrillers, where I address what’s true and what’s not in my novelsâ€"so I thought I’d do the same here.

But before I get started, a bit about myself. Though I earned my degree in veterinary medicine, I’ve always been an armchair archaeologist. I’ve loved all things buried and lost to time. In fact, I maintain a Cabinet of Curiosities at home, where I display all manner of the weird and strangeâ€"from giant fossilized specimens to tiny, pinned insects. And gracing the top of the cabinet is a massive 100,000-year-old mammoth tusk from China.

So as you might guess, the young adventurer Jake Ransom is close to my heartâ€"and for Jake, I saved my wildest and best adventure of all.

The series is chocked full of the fantastic, but it’s also gro! unded in reality. Each novel centers on a different lost cultu! re from Earth’s past. First up are the ancient Maya. Throughout the book appear various Mayan glyphs, the symbolic writing of these Mesoamerican people. The glyphs in the book are real, and each plays an important role in the adventure. Likewise, details of the Mayan cultureâ€"from the clothing they wear to their astounding skill at astronomyâ€"are all factual and integral to the story. Additionally, there are several fun facts for kids, too… like how the ancient Maya invented chocolate and chewing gum.

Lastly, for this series I’ve also created my own cryptic language, snatches of which appear in this novel. The alphabet breaks down to English equivalents, so for the more industrious readers, they can translate these bits of language to reveal secret messages.

So that’s just a hint of the truth behind the fantastic world of Jake Ransom. I hope you grab a backpack and come join meâ€"the adventure is just beginning!

Found running wild in the forest o! f Ashton Place, the Incorrigibles are no ordinary children: Alexander, age ten or thereabouts, keeps his siblings in line with gentle nips; Cassiopeia, perhaps four or five, has a bark that is (usually) worse than her bite; and Beowulf, age somewhere-in-the-middle, is alarmingly adept at chasing squirrels.

Luckily, Miss Penelope Lumley is no ordinary governess. Only fifteen years old and a recent graduate of the Swanburne Academy for Poor Bright Females, Penelope embraces the challenge of her new position. Though she is eager to instruct the children in Latin verbs and the proper use of globes, first she must help them overcome their canine tendencies.

But mysteries abound at Ashton Place: Who are these three wild creatures, and how did they come to live in the vast forests of the estate? Why does Old Timothy, the coachman, lurk around every corner? Will Penelope be able to teach the Incorrigibles table manners and socially useful phrases in time for Lady ! Constance's holiday ball? And what on earth is a schottische? !

DYLA N'S SCOUT TROOP goes camping in Halape, a remote spot below the volcano on the Big Island of Hawaii. The only thing wrong with the weekend on a beautiful, peaceful beach is Louie, a tough older boy. Louie and Dylan just can't get along.

That night an earthquake rocks the camp, and then a wave rushes in, sweeping everyone and everything before it. Dylan and Louie must team up on a dangerous rescue mission. The next hours are an amazing story of survival and the true meaning of leadership.


From the Hardcover edition.“A swift-paced, fun romp.”
â€"Charlaine Harris, New York Times bestselling author

Romance is about to get a little hairy.

Sophie Garou seems to have it all: a great job at a prestigious accounting firm, a closet that rivals a Nordstrom showroom, and a terrific boyfriend who isn’t afraid to use the “M” word. There’s just one little itty-bitty problem: Sophie is a werewolfâ€"and her time of month has a whole new m! eaning.

Needless to say, life among yummy flesh-and-blood humans is no piece of steak . . . er, cake!, but regular doses of wolfsbane tea and a mother who runs a magic shop have helped Sophie keep her paranormal pedigree under wraps. Still, when a sexy, golden-eyed werewolf prowls into town, Sophie finds herself struggling to keep her animal impulses in checkâ€"not to mention trying to keep things on track with her super hot (and super human) lawyer boyfriend. What’s more, someone is threatening to expose Sophie for what she really is. And when her mother is accused of selling a poison-laced potion, Sophie must sniff out a culprit before the fur hits the fan.

DON’T MISS THE NEXT BOOK IN THIS HAIR-RAISING TRILOGY: ON THE PROWL

Be Cool About Fire Safety

  • Learn valuable fire safety lessons
Starring an unbelievably hip all-star cast, including John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and bursting with the hottest music in the biz, Be Cool is the wildly hilarious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Better than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 s! equel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurman) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff ShannonStudio: Tcfhe/mgm Release Date: 07/05/2011 Rating: Pg13Starring an unbelievably hip all-star cast, including John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and b! ursting with the hottest music in the biz, Be Cool is the wild! ly hilar ious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Better than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 sequel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurman) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss! (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff ShannonDisc 1: GET SHORTY Disc 2: BE COOLGolden Globe(r) winner* John Travolta leads an all-star cast in the hysterical comedy thatTime calls "smart, shrewdly crafted [and] hilarious!" Loan shark Chili Palmer (Travolta) is bored with the business. So when he arrives in LA to collect a debt from down-and-out filmmaker Harry Zimm (Gene Hackman), Chili talks tough...and then pitches Harry a script idea. Immediately, Chili is swept into the Hollywood scene: He schmoozes film star Martin Weir (Danny DeVito! ), romances B-movie queen Karen Flores (Rene Russo) and even g! ets rese rvations at the hottest restaurants intown. In fact, all would be smooth for this cool new producer, if it weren't for the drug smugglersand the angry mobster who won't leave him alone! *1996: Actor (Comedy)Get ShortyHailed by many critics as one of the best films of 1995, this finely tuned black comedy sparked a renewed interest in movies based on books by prolific crime novelist Elmore Leonard, whose trademark combination of tight plotting and sharp humor is perfectly captured here. After the success of Pulp Fiction, John Travolta continued his meteoric comeback as Chili Palmer, a Mob "mechanic" whose latest assignment takes him to Los Angeles, where his fascination with the movie business turns into a new career as a would-be movie producer. He pitches ideas with a sleazy producer (Gene Hackman) and a major star (Danny DeVito), and also finds time to deal with a vengeful Mobster (Dennis Farina) and assorted Hollywood types (including Renee Russo and Delroy Lindo) ! who all want their piece of a tempting show-biz pie. The plot unfolds with enticing precision, but it's really Elmore's snappy dialogue--and the performances that bring it to life--that make this one of the best comedies of the 1990s. --Jeff Shannon

BRONZE FAMILY TREE PICTURE FRAME - BRONZE FAMILY TREE WITH 6 HANGING PICTURE ...

Gray Matter

  • From highly acclaimed filmmaker Joe Berlinger (Brother's Keeper, Paradise Lost 1 & 2, Metallica: Some Kind of Monster)--one of the leading voices in American independent non-fiction cinema-comes Gray Matter, a riveting true-life mystery and perhaps the most baffling conspiracy story ever told about World War II. In the spring of 2002, Berlinger traveled to Vienna to witness the burial of the p
In this hilarious romantic comedy, Gray (Heather Graham) helps her brother (Tom Cavanaugh) find the love of his life. But the night before her brother's wedding, Gray's world is turned upside-down when she discovers that she has feelings for his fiancé (Bridget Moynahan)! With the help of a sarcastic co-worker (Molly Shannon), a sympathetic cab driver (Alan Cumming), and her therapist (Oscar-winner Sissy Spacek), Gray is forced to figure out who she really is.Gray Matters has one of the most ado! rable casts of any movie in recent years--the combined sweetness of Heather Graham (Austin Powers: The Spy Who Shagged Me), Bridget Moynahan (Lord of War), Molly Shannon (Year of the Dog), Thomas Cavanagh (Ed), Alan Cumming (X-Men 2), and Sissy Spacek (Carrie, In the Bedroom) narrowly avoids being diabetes-inducing. Gray (Graham) and her brother Sam (Cavanagh) have been best friends forever--so close that they find it hard to date. Gray pushes Sam into asking out Charlie (Moynahan), but when Sam and Charlie hit it off so well they spontaneously decide to get married, Gray finds herself unexpectedly dismayed... but not as dismayed as she is when, on a girls' night out before the ceremony, she and Charlie share a drunken kiss that sets Gray's body tingling. Gray Matters juggles a lot of emotional issues; the sibling interconnectedness problem doesn't flow smoothly into the coming-out story of the movie's second half. Bu! t sprinkled throughout are charming scenes and wonderfully def! t moment s that make the story's clumsy missteps all the more baffling. There's no question that Graham is a star who just can't seem to find the right vehicle; Gray Matters won't be her breakthrough, but it's further evidence of her significant appeal. --Bret FetzerFrom highly acclaimed filmmaker Joe Berlinger (Brother's Keeper, Paradise Lost 1 & 2, Metallica: Some Kind of Monster)--one of the leading voices in American independent non-fiction cinema-comes Gray Matter, a riveting true-life mystery and perhaps the most baffling conspiracy story ever told about World War II. In the spring of 2002, Berlinger traveled to Vienna to witness the burial of the preserved brains from over 700 children who were experimented upon in a Nazi "euthanasia" clinic. Gray Matter chronicles the director's personal journey as he searches for forensic psychiatrist Dr. Heinrich Gross (notoriously nicknamed "the Austrian Dr. Mengele"), who allegedly participated in these mad-scientist trial! s for decades after the Holocaust and the end of the war. Along his path towards the unknown, Berlinger meets clinic survivors and other remarkable voices, each of whom has new light to shed upon this shadowy legacy and the nation that now grapples with its own denial. Is Dr. Gross alive? Is he in hiding? Should his advanced age and scientific aspirations be measured today against the accountability of his misdeeds? Raising provocative yet respectful questions of guilt, redemption and the ethics of mankind, Berlinger sorts out the twists in one of history's lesser-known, unsolved puzzles.

Humpday

  • It s been a decade since Ben (Duplass) and Andrew (Leonard) were the bad boys of their college campus. Ben has settled down and found a job, wife, and home. Andrew took the alternate route as a vagabond artist, skipping the globe from Chiapas to Cambodia. When Andrew shows up unannounced on Ben s doorstep, they easily fall back into their old dynamic of macho one-upmanship. Late into the night at
It's been a decade since Ben (Duplass) and Andrew (Leonard)
were college bad boys. Ben is living contently with a good job and a great wife, until his old buddy Andrew shows up on his doorstep late one night. Andrew, who lives as a vagabond artist, invites Ben out to a wild party. Excessive drinking
combined with the irrational need to oneup each other, leads to a mutual dare that locks them into entering an
amateur porn contest together.A bromantic comedy par excellence, Humpday push! es the concept of male bonding and male competition (so often intertwined) to its end point. Two old buddies, Ben (Mark Duplass) and Andrew (Joshua Leonard), reunite after a few years' time. Mark is living the bourgeois life in Seattle, with a home, a wife (Alycia Delmore), and a responsible job. Andrew's just blown in from vagabonding around Mexico, and his bohemian cred is as thick as his beard. When the buds drunkenly vow to participate in a local amateur porn-movie contest with themselves as stars, the stage is set for a game of staredown: neither guy wants to be the first to blink and admit he isn't quite open-minded or free-swinging enough for the stunt. (One large roadblock: Ben needs to actually convey the information about the film project to his wife, a dilemma that leads to some of the movie's funniest scenes.) Director Lynn Shelton works in an improvisatory style, figuring out the dialogue with the actors and creating a loose, frowzy atmosphere within scenes. Th! at sense of verisimilitude helps sell the whopper of a premise! , but wh at's even more impressive is Shelton's laser-like sense of male insecurity and rivalry (also on view in her previous picture, My Effortless Brilliance). Duplass (from The Puffy Chair) and Leonard (a Blair Witch trekker) play this to the hilt, particularly in the gloriously uncomfortable climatic scene, when push, shall we say, is going to have to come to shove. Humpday was a Sundance breakout in 2009, coming out of nowhere (i.e., Seattle, Shelton's home base) and snagging a summer release. And why not? If the specific plot isn't exactly a universal experience, the movie's underlying anxieties certainly are. --Robert Horton

Despicable Me (Single-Disc Edition)

  • “**** This Year’s COOLEST Animated Comedy! - Jeff Craig, Sixty Second PreviewGet ready
  • From executive producer Chris Meledandri (Horton Hears a Who, Ice Age), and featuring the voices of
“**** This Year’s COOLEST Animated Comedy!” â€" Jeff Craig, Sixty Second Preview

Get ready for a minion laughs in the funniest blockbuster hit of the year!

Vying for the title of “World’s Greatest Villain”, Gru (voiced by Steve Carell) â€" along with his hilarious crew of mischievous minions â€" plots to pull off the craziest crime of the century: steal the moon! But when Gru enlists the help of three little girls, they see something in him nobody else has ever seen: the perfect dad. From executive producer Chris Meledandri (Horton Hears a Who, Ice Age), and featuring the voices of an all-star comedic cast, including Jason Segel, Russell Brand, Miranda Cosgrove an! d Julie Andrews, Despicable Me is “rousingly funny, heartfelt and imaginative” (Pete Hammond, Boxoffice Magazine).Despicable Me is a compelling animated comedy about an aging supervillain's falling popularity at the hands of a younger supervillain and three young orphan girls. Gru is a true, bad-to-the-core evildoer who's earned the title of the world's No. 1 supervillain. But when young upstart Vector steals the Pyramid of Giza, Gru's status suddenly sinks to No. 2. Gru counters his fall by speeding up his plan to shrink and steal the moon, enlisting the help of his army of minions and the elderly Dr. Nefario, but a lack of funding and the difficulties involved in stealing the needed shrink-ray gun threaten to derail everything. Adopting three young orphan girls is an unlikely, but seemingly effective means to further Gru's evil mission, but Gru quickly discovers that caring for three young girls is more work, and distraction, than he could ever have anticipated! . What unfolds is an unexpected shift in attitude that will fo! rever ch ange the lives of Gru, Vector, and all three young girls. A visually appealing film produced by Chris Meledandri (Ice Age, Ice Age 2: The Meltdown, and Horton Hears a Who), Despicable Me is full of weirdly shaped characters and settings that are somehow a perfect fit for Sergio Pablos's story. What's especially refreshing is that in this film, 3-D effects are used skillfully and effectively: even when the effects are exploited for comic reasons, they don't become a distraction, as is all too common in many recent movies. The film is full of corny banter and silly antics that inspire plenty of spontaneous laughter, and the minions, while not the best-developed characters, sure are comical. Ultimately, there's also a wholesome message about following one's heart. Steve Carell is the perfect villain-gone-soft in his role as Gru, Jason Segal is quite funny as Vector, and Julie Andrews makes a surprising appearance as Gru's very un-motherly mom. The st! ory isn't new, the humor is relatively juvenile and somewhat forgettable, and it's no Toy Story 3, but Despicable Me celebrates silliness in a way that's satisfying and highly entertaining. (Ages 6 and older) --Tami Horiuchi

Selasa, 29 November 2011

Diminished Capacity

Bad Boys [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • Color; Dubbed; Subtitled; Widescreen
Studio: Sony Pictures Home Ent Release Date: 12/29/2009Bad Boys
Slick to a fault, this glossy action flick takes place in sunny Florida, where Martin Lawrence and Will Smith play two cops--one married with kids, the other a swinging bachelor. The two are forced to trade places to foil criminal mastermind Fouchet (Tchéky Karyo) who has stolen $100 million worth of heroin from a police lockup. Violent, illogical, and filled with wall-to-wall profanity, Bad Boys was the last film produced by the hit-making team of Don Simpson and Jerry Bruckheimer before Simpson's untimely death, and marked the directorial debut of Michael Bay who followed up with The Rock. Bad Boys will be of interest to action buffs and fans of Téa Leoni, who makes one of her early screen appearances ! in the central supporting role. --Jeff Shannon

Bad Boys II
No one goes to a movie directed by Michael Bay for delicacy and grace; you go because Michael Bay (Armageddon, The Rock) knows how to make your bones rattle during a high-speed chase when a car flips over, spins through the air, and smacks another car with a visceral crunch. Bad Boys II fulfills this expectation and then some. Will Smith and Martin Lawrence may be mere puppets amid all this burning rubber and shrieking metal, but they actually provide a human core to the endless cascade of car wrecks and gunfights. Their easy rapport makes their personal problems--a running joke is Lawrence's attempts at anger management--as engaging as the sheer visual hullabaloo of bullets and explosions. The plot is recycled nonsense about drug lords and dead bodies being used to smuggle drugs, but orchestration of violence is symphonic. If that's your thing, then this is for! you. --Bret FetzerMiami cops Marcus Burnett, a family ! man and Mike Lowry, a ladies' man are given 72 hours to regain drugs stolen from their police station; matters are complicated when they have to pretend to be each other.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 27-MAY-2003
Media Type: DVDA cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a te! rrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane From director Michael Bay (The Rock, Armageddon) and the production team of Don Simpson and Jerry Bruckheimer (Beverly Hills Cop, Top Gun) comes a thrill ride of explosive action from beginning to end. Will Smith and Martin Lawrence team up as partners in crime, crime-fighting that is, in this action-packed flick about a couple of good guys who are real Bad Boys One hundred million dollars worth of confiscated heroin has just been jacked from police custody. Once the career bust of Detective Mike Lowery (Will Smith) and Marcus Burnett (Martin Lawrence), the missing drugs now threaten to shutdown the narcotics division of the Miami Police Department. When the drug investigation turns deadly, the murderers kidnap the only witness, a beautfu! l police informant (Tea Leoni) and close friend of the boys, w! hich mak es things get personal! Fast cars, a gorgeous woman and non-stop action make Bad Boys a guaranteed good time!A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining actio! n flick. --Robert Lane

Glass: A Portrait of Philip in Twelve Parts

Extreme Dating

  • Four twenty-something friends believe that the key to winning over their true loves is to place themselves in extreme situations. They plot a fake kidnapping but the plan goes awry when the kidnappers turn out to be ex-cons with plans of their own. The remaining friends must now rescue the captives and manage to avoid the law at the same time.Running Time: 96 min. Format: DVD MOVIE Genre:&nbs
Danny (Chris Pine) is smart, handsome, popular, and blind... and not just physically: He also can't see how wild women are for him. Even his sexy therapist (Jane Seymour) can't keep her clothes on around Danny. After a series of painful "blind dates" set up by his brother (Kaye Thomas), Danny falls for a young Indian woman named Leeza (Anjali Jay), and finally everything seems picture perfect. But when cultures clash, and Leeza reveals that she's been promised to someone else, Danny must prove to her tha! t there's more to love than meets the eye!A romantic comedy disguised as an American Pie-type sex romp, Blind Dating tells the story of a sweet young blind man who falls for a woman who is engaged to be married. Hottie Chris Pine plays Danny, who has never had a serious girlfriend. His annoying but well-meaning brother Larry (Eddie Kaye Thomas, American Pie) is intent on helping Danny lose his virginity by hooking him up with several inappropriate women. Then there's Dr. Evans (Jane Seymour), Danny's unorthodox therapist who has the odd habit of undressing as he talks about his dates. Though the scenes are played for laughs, there's something inherently creepy about them since Dr. Evans clearly needs to take a class on boundaries. Blind Dating has an uneven feel because it's trying to be too many things at the same time. It would've fared better had it concentrated less on Larry's shenanigans and more on the budding romance between Danny and Leez! a (Anjali Jay), the receptionist at Danny's eye doctor's offic! e. Becau se one of the central characters is blind, and another works for an optometrist, it is giving nothing away to say that part of the plot involves a surgical procedure that could potentially restore Danny's eyesight. It would've been nice to learn more about Leeza's Indian background; the film implies that the marriage her parents have arranged for her is a bad one (and it probably is). But it would've been interesting to see the family presented as more than caricatures. While not a great film, Blind Dating has some sweet moments, courtesy of Pine and Jay. --Jae-Ha KimNo Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 23-MAR-2004
Media Type: DVDBruce Willis's first starring vehicle was this 1987 comedy by Blake Edwards (Victor/Victoria), in which the actor plays a yuppie set up on a blind date with a beautiful blonde (Kim Basinger). Everything goes swimmingly until Willis does what he wa! s warned not to do: give the lady alcohol, which causes her to get entirely out of control. The one-note joke basically turns the film into a succession of set pieces in which Willis has to keep up with Basinger, bail her out of trouble, or get out of the way of her hotheaded former boyfriend (John Larroquette). Willis is fine, Basinger is impressively unhinged, Larroquette is hilarious, and Phil Hartman has a nice role as the friend who set up Willis's evening from hell. The slapstick shtick is classic Edwards, but the film is not Edwards at his most inspired. Consider Blind Date the work of a good filmmaker in a holding pattern. --Tom Keogh Four twenty-something friends believe that the key to winning over their true loves is to place themselves in extreme situations. They plot a fake kidnapping but the plan goes awry when the kidnappers turn out to be ex-cons with plans of their own. The remaining friends must now rescue the captives and manage to avoid the! law at the same time.

DVD Features:
Audio Comm! entary
Gag Reel


Dead Silence [Blu-ray]

  • UK Import
  • Blu-ray
  • Region-Free
New unrated version more gruesome and horrifying than anything seen in theaters. Dare to unlock the deadly curse of Mary Shaw... From the writers and director of Saw comes a new thriller of relentless terror! Ever since Mary Shaw was hunted down and killed, the small town of Ravens Fair has been haunted by horrific deaths. When a local's wife is brutally murdered, he returns home to unravel the terrifying legend of Mary Shaw and the reason why when you see her, you should never, ever scream. Starring: Donnie Wahlberg, Ryan Kwanten, Amber Valletta, Bob Gunton, Michael Fairman, Judith Roberts, Laura Regan Directed by: James WanYou Scream. You Die. Dare to unlock the deadly curse of Mary Shaw... From the writers and director of Saw comes a new thriller of relentless terror! Ever since Mary Shaw was hunted down and killed, the small town of Rav! ens Fair has been haunted by horrific deaths. When a local's wife is brutally murdered, he returns home to unravel the terrifying legend of Mary Shaw and the reason why when you see her, you should never, ever scream. Starring: Donnie Wahlberg, Ryan Kwanten, Amber Valletta, Bob Gunton, Michael Fairman, Judith Roberts, Laura Regan Directed by: James WanBilly in Dead Silence inevitably recalls other possessed dolls such as those in Devil Doll, but he is an entertaining dummy nonetheless. As a variation on evil-doll films like Child's Play or Puppet Master, Dead Silence stars a dummy who isn't a killer himself but a vehicle for a vengeful ghost. Previously owned by Mary Shaw, a ventiloquist who was murdered by local Ravens Hill villagers for kidnapping a boy to turn him into a human puppet, Billy houses Mary Shaw's spirit while she gets revenge on all those who killed her. Jamie Ashen (Ryan Kwanten) unravels Billy's mystery after Billy is delivered! to his door to claim Jamie's wife's life, since she is pregna! nt with Jamie's son. Mary Shaw aims to obliterate his entire Ashen clan, since they were partially responsible for her death. Plot, from there, teeters on the ridiculous, as Mary (via Billy) rips peoples tongues out left and right. Jamie's futile attempts to stop Shaw's ghost result in his discovering a gruesome secret about his brutal, abusive father. Writer Leigh Whannell and director James Wan, of Saw, made this almost comical film about 101 dummies, all relatives of Billy's, who are slaves to their sadistic creator. With many direct references to '80s horror films, and a soundtrack theme song almost exactly like Phantasm's, Dead Silence's charm banks on its lack of computer-y special effects rather than its originality. Billy's sly violence is creepy but funny, making for a relatively lighthearted horror film that won't traumatize as much as it makes one chuckle. â€"Trinie DaltonOld ladies, ventriloquist dummies, decrepit small-towns, and dolls are all explo! ited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylised black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen potter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. When Jamie goes out to pick up some takeout, he returns to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story.Billy in Dead Silence i! nevitably recalls other possessed dolls such as those in Devil Doll, but he is an entertaining dummy nonetheless. As a variation on evil-doll films like Child's Play or Puppet Master, Dead Silence stars a dummy who isn't a killer himself but a vehicle for a vengeful ghost. Previously owned by Mary Shaw, a ventiloquist who was murdered by local Ravens Hill villagers for kidnapping a boy to turn him into a human puppet, Billy houses Mary Shaw's spirit while she gets revenge on all those who killed her. Jamie Ashen (Ryan Kwanten) unravels Billy's mystery after Billy is delivered to his door to claim Jamie's wife's life, since she is pregnant with Jamie's son. Mary Shaw aims to obliterate his entire Ashen clan, since they were partially responsible for her death. Plot, from there, teeters on the ridiculous, as Mary (via Billy) rips peoples tongues out left and right. Jamie's futile attempts to stop Shaw's ghost result in his discovering a gruesome secret ab! out his brutal, abusive father. Writer Leigh Whannell and dire! ctor Jam es Wan, of Saw, made this almost comical film about 101 dummies, all relatives of Billy's, who are slaves to their sadistic creator. With many direct references to '80s horror films, and a soundtrack theme song almost exactly like Phantasm's, Dead Silence's charm banks on its lack of computer-y special effects rather than its originality. Billy's sly violence is creepy but funny, making for a relatively lighthearted horror film that won't traumatize as much as it makes one chuckle. â€"Trinie Dalton

Austin Powers Collection (International Man of Mystery / The Spy Who Shagged Me / Goldmember) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Box set; Color; Dolby; Special Edition; Subtitled; Widescreen
Austin Powers-International Man of Mystery Name: Austin Danger Powers. Sex: Yes, please! Combine the swinging '60s, spy movies, talented Mike Myers in dual roles and one hilariously well- placed champagne bottle and you get Austin Powers: International Man of Mystery. Say "Yeah, baby!" for laughs as Flower Power-era superspy Austin (Myers) is thawed from a 30-year cryogenic freeze to stop the world-dominating scheme of bald baddie Dr. Evil (also Myers). Elizabeth Hurley, shagadelic style and Austin's randy attempts to find '60s-style free love in a very different, uptight time add to the groovy fun of this mad, mod, Myers world.

Austin Powers: The Spy Who Shagged Me He's back--back in the 1960s. Secret agent Austin Powers (Mike Myers) hops in a top-secret time machine and z! ips 30 years back to 1969 to confront Dr. Evil (Myers) and his latest, vilest scheme. Evil is eviler â€" he has a diminutive clone Mini-Me (Verne J. Troyer) and massive Fat Bastard (Myers) as a henchmen. Austin, who "put the grrr in swinger, baby," is swingier…if he and fab spy chick Felicity Shagwell (Heather Graham) can recover the mojo Evil stole from Austin.

Austin Powers in Goldmember The mission for Austin (Mike Myers): Shake booty into the glittery roller-disco days of 1975 and rescue his suave spy dad (Michael Caine) from the scheme of â€" Shh! â€" Dr. Evil (Myers). The minions: freaky-flakey Goldmember, Fat Bastard (both played by Myers) and Mini Me (Verne Troyer). The minx: Austin's sassy ex-squeeze Foxxy Cleopatra (Beyoncé Knowles). The result: a three-for-all of grooviness that whisks from the 2000s to the 1970s and back to the 2000s â€" the screamingly funny third Austin Powers!

Procter & Gamble Chr Horiz Filter System 527 Ice Maker & End Of Faucet

Bowfinger

  • TESTED
BOWFINGER - DVD MovieFilmmakers often remark that it's just so hard to make a bad picture that few would take on the challenge if they weren't so naive. Steve Martin's Bobby Bowfinger is cut from that pattern, one of those sweet, indomitable operators of Hollywood who seem to be descended directly from Ed Wood (of Plan 9 from Outer Space infamy). To resurrect his ramshackle existence, Bowfinger opts to film his accountant's sci-fi spectacular, Chubby Rain, about aliens invading in raindrops. The snag is he needs to attach action megastar Kit Ramsey (Eddie Murphy), an actor so paranoid he counts the K's in scripts to uncover possible Ku Klux Klan influences. When his effort fails, Bowfinger hits on an ingenious scheme to film Ramsey without his knowledge, throwing his actors at the hapless star whenever he appears in public. Only Kit begins to believe he's being h! ounded by aliens for real, and runs hysterically to his guru (Terence Stamp) at a Scientology-clone group called MindHead, where people walk around in fine suits wearing white pyramids on their heads. Deprived of his star, yet not to be undone, Bowfinger hires a look-alike, Jiff (also Eddie Murphy), to fill in. The tone of the picture is sometimes flat, rather than deadpan, but that's nitpicking. The farce is quick and engrossing, and populated with terrific performances, especially by Eddie Murphy, whose dual role as Kit and Jiff showcases his character-building gift, and by Martin, whose Bowfinger, part con man and part would-be visionary, manages to capture your sympathies. Heather Graham's would-be actress cheerfully sleeps her way to the top like she knows she's supposed to, and Christine Baranski plays her shopworn method actor with myopic self-absorption. --Jim Gay

Senin, 28 November 2011

SpaRitual Fall 2009 Forbidden Nail Lacquer Collection, Hush

  • Warm Brown Crème.
The complete critically acclaimed and best-selling tale is now available in one sensational hardcover volume.

BATMAN: HUSH is a thrilling mystery of action, intrigue, and deception penned by Jeph Loeb (BATMAN: THE LONG HALLOWEEN) and illustrated by comics superstar Jim Lee (ALL STAR BATMAN & ROBIN, THE BOY WONDER) in which Batman sets out to discover the identity of a mysterious mastermind using the Joker, Riddler, Ra's al Ghul and the Dark Knight's other enemies - and allies - as pawns in a plan to wreak havoc.The complete best-selling saga written by Jeph Loeb (SUPERMAN/BATMAN, Smallville) with art by fan-favorites Jim Lee & Scott Williams (SUPERMAN, Uncanny X-Men) collected together for the first time in the oversized slipcase format! This slipcased edition features the two books "Hush"â€" an epic tale of friendship, trust and betrayal that spans the Dark K! night’s lifetime. This Absolute edition includes an all-new cover by Lee & Williams, a Jim Lee Sketchbook and issue-by-issue commentary by the creative team.SpaRitual offers the first vegan family of nail lacquers, free of DBP, formaldehyde and toluene. Color has the physiological power to soothe or seduce, nurture or ignite. By fusing the disciplines of color therapy, SpaRitual has designed a lush, shimmering palette of nail lacquers. Each SpaRitual shade is associated with a unique message or meaning. SpaRitual's color experts have carefully hand-blended each hue for superior shine, dry time and coverage and their signature brush is specially designed to allow for precise lacquer application. Benefits: ?100% vegan, free of DBP, formaldehyde and toluene. ?Hand-blended to ensure superior shine, dry time and coverage. ?Specially designed brush allows for precise lacquer application.

The Heartbreak Kid (Widescreen Edition)

  • Rechargeable model, with FREE keychain!
After her brilliant career in a comedy duo with Mike Nichols, Elaine May made tentative progress as a director, making only four films between 1971 and 1987 (her last being the disastrous but underrated Ishtar). Released in 1972, The Heartbreak Kid (from a screenplay by Neil Simon) is widely considered her best work from behind the camera, and it's still one of the most accomplished--but least recognized--comedies of the 1970s. Charles Grodin landed one of his best roles as Lenny, a newlywed husband who meets a gorgeous blonde (Cybill Shepherd) while on his honeymoon, and finds his new bride, Lila (played by May's daughter, Jeannie Berlin), unappealing by comparison. When Lila is forced to rest with a severe case of sunburn, Lenny's free to pursue his new interest, oblivious to the manipulative games that he'll soon be subjected to. May a! nd screenwriter Simon draw plenty of pain, awkwardness, and embarrassment from hilarious situations, giving this comedy a perceptive awareness of human foibles and unchecked desires. It's a newlywed's worst nightmare come true, made enjoyable because we're watching it happen to someone else. Grodin's a prime choice of casting for expressing the movie's lusty anxiety--he's a schmuck, but you can still sympathize with the anguish he's brought on himself. --Jeff ShannonMore and more American children are emotionally hurt early in life and cannot form the relationships necessary to heal themselves. The cost to America as these children become adults is beyond estimation. This book takes a hard-hitting look at our society's key role in creating uncontrollable, unreachable young people and the no-nonsense steps we absolutely must take toward a genuine solution.Studio: Paramount Home Video Release Date: 05/06/2008 Run time: 115 minutes Rating: RBen Stiller and the Farrel! ly brothers bring out the best in each other. In The Heartb! reak Kid , Stiller plays Eddie Cantrow, who--persuaded by his father and friends that he's commitment-phobic--marries a gorgeous and seemingly ideal woman named Lila (Malin Akerman, The Brothers Solomon) that he's been dating for several weeks. But after the wedding, things start to go awry... the least of these being that on their honeymoon, Eddie meets a woman who might truly be the girl of his dreams (Michelle Monaghan, Kiss Kiss Bang Bang). As in There's Something About Mary, writers/directors Bobby and Peter Farrelly push Stiller away from his increasingly schticky "tense guy" persona and draw out his sweeter, more multilayered earnest side. On his end, Stiller provides a human core to what could just be a festival of raunch and absurdity (the movie features aroused donkeys, deviated septum jokes, and digitally-enhanced body hair, among other items of questionable taste). It only takes a quick comparison with Jim Carrey in Me, Myself & Irene or Ja! ck Black in Shallow Hal to see what a surprisingly delicate balance that is. The Heartbreak Kid may not be quite as wildly sublime as There's Something About Mary, but it comes extremely close, with kudos to Akerman for her unrestrained nuttiness. --Bret Fetzer

Bangkok Love Story

  • Steamy Thai nights provide the backdrop for unbridled romance, crime and action as two men unexpectedly brave forbidden love. Maek, a cold assassin-for-hire, is sent to knock off Iht, a police informant, when in a twist of fate the killer is shot for refusing to pull the trigger. After making their escape, an indelible bond is forged when the vulnerable assassin is nursed back to health by handsom
Based on the true story of Thailand's famed transgendered kickboxer, Beautiful Boxer is a poignant action drama that punches straight into the heart and mind of a boy who fights like a man so he can become a woman. Believing he's a girl trapped in a boy's body since childhood, Parinya Charoenphol (affectionately known as Nong Toom in Thailand) sets out to master the most masculine and lethal sport of Muay Thai (Thai kickboxing) to earn a living and to achieve his ultimate goal of total femininity.un! a doppia vita nella thai boxe. i guantoni o lo smalto per le unghie?entrambe le cose vanno bene, per adattarsi meglio ad una realta' che sembra sempre offrire a nong toom il suo lato piu' spigoloso. la vicenda di un atleta maschio che impara a non dissimulare piu' la propria femminilit nemmeno sul ring potrebbe far pensare, almeno dalle nostre parti, ad uno sfoggio di fantasia irrequieta e di esotismo. al contrario, si viene a sapere che lispirazione arrivata dalle reali, tormentate vicissitudini di tale parinya charoenphol, noto in thailandia come pugile-travestito e soprannominato dal suo pubblico, pare in modo affettuoso, nong toom. questo campione dai colpi pesanti e dallanimo delicato si aggiudicato lincontro pi difficile il 5 dicembre 1999, ossia quando se ne uscito da un ospedale di bangkok vestendo finalmente un corpo femminile.Studio: Strand Releasing Release Date: 04/06/2006This digital document is an article from Business Mexico, published by American Chamber! of Commerce of Mexico A.C. on June 1, 2004. The length of the! article is 518 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: The beautiful people.
Author: Matthew Brayman
Publication: Business Mexico (Magazine/Journal)
Date: June 1, 2004
Publisher: American Chamber of Commerce of Mexico A.C.
Volume: 14 Issue: 6 Page: 62(1)

Distributed by Thomson GaleThe follow-up to 2005's "Alligator" is filled with lush arrangements and sees the band incorporating new instrumentation and expanded musical elements such as piano, trumpet, and more prominent background vocals. "...churning grooves and shambling new wave rips, turning up depressed guitar poetry that's ! both elegantly wasted and kinda murky" - Rolling Stone. "The National traffic in poignant moments of heartbreak and regret, but pain has rarely sounded so beautiful" - Spin.With Boxer, the National have reached four albums into their increasingly lauded career, never hurrying the tempo, never over-reaching in volume or instrumental density. Instead, the quintet's balanced on a pin, emotionally austere, if not utterly downhearted, finding brilliantly dusky ways for Matt Berninger's lovelorn voice to mesh with a pair of unobtrusive guitars and, here, an occasional phalanx of piano, horns, and strings. The tunes roll off slowly, Berninger's lyrics hugging the instruments with a sad brawn, rough-hewn as the drums and bass toy with angularity (try "Mistaken for Strangers," for one) but end up woven by that voice. Drummer Bryan Devendorf presses the songs forward repeatedly, as on "Start a War," where he gently thumps the time as the acoustic guitars frame and dot the melo! dy, coalescing as the drums starkly chisel the melody. Nary a! distort ion pedal is harmed on Boxer, giving the National a magnetism so forlorn that you can't stop listening. --Andrew BartlettSteamy Thai nights provide the backdrop for unbridled romance, crime and action as two men unexpectedly brave forbidden love. Maek, a cold assassin-for-hire, is sent to knock off Iht, a police informant, when in a twist of fate the killer is shot for refusing to pull the trigger. After making their escape, an indelible bond is forged when the vulnerable assassin is nursed back to health by handsome, married Iht. But as taboo feelings of desire swell between the swarthy new lovers, their relationship is discovered. Now there s no turning back as enemies, friends and lovers are pitted against each other.

Humpday

  • It s been a decade since Ben (Duplass) and Andrew (Leonard) were the bad boys of their college campus. Ben has settled down and found a job, wife, and home. Andrew took the alternate route as a vagabond artist, skipping the globe from Chiapas to Cambodia. When Andrew shows up unannounced on Ben s doorstep, they easily fall back into their old dynamic of macho one-upmanship. Late into the night at
It's been a decade since Ben (Duplass) and Andrew (Leonard)
were college bad boys. Ben is living contently with a good job and a great wife, until his old buddy Andrew shows up on his doorstep late one night. Andrew, who lives as a vagabond artist, invites Ben out to a wild party. Excessive drinking
combined with the irrational need to oneup each other, leads to a mutual dare that locks them into entering an
amateur porn contest together.A bromantic comedy par excellence, Humpday push! es the concept of male bonding and male competition (so often intertwined) to its end point. Two old buddies, Ben (Mark Duplass) and Andrew (Joshua Leonard), reunite after a few years' time. Mark is living the bourgeois life in Seattle, with a home, a wife (Alycia Delmore), and a responsible job. Andrew's just blown in from vagabonding around Mexico, and his bohemian cred is as thick as his beard. When the buds drunkenly vow to participate in a local amateur porn-movie contest with themselves as stars, the stage is set for a game of staredown: neither guy wants to be the first to blink and admit he isn't quite open-minded or free-swinging enough for the stunt. (One large roadblock: Ben needs to actually convey the information about the film project to his wife, a dilemma that leads to some of the movie's funniest scenes.) Director Lynn Shelton works in an improvisatory style, figuring out the dialogue with the actors and creating a loose, frowzy atmosphere within scenes. Th! at sense of verisimilitude helps sell the whopper of a premise! , but wh at's even more impressive is Shelton's laser-like sense of male insecurity and rivalry (also on view in her previous picture, My Effortless Brilliance). Duplass (from The Puffy Chair) and Leonard (a Blair Witch trekker) play this to the hilt, particularly in the gloriously uncomfortable climatic scene, when push, shall we say, is going to have to come to shove. Humpday was a Sundance breakout in 2009, coming out of nowhere (i.e., Seattle, Shelton's home base) and snagging a summer release. And why not? If the specific plot isn't exactly a universal experience, the movie's underlying anxieties certainly are. --Robert Horton

Body of Lies (Two-Disc Edition + BD Live) [Blu-ray]

  • The CIAs hunt is on for the mastermind of a wave of terrorist attacks. Roger Ferris is the agencys man on the ground, moving from place to place, scrambling to stay ahead of ever-shifting events. An eye in the sky a satellite link watches Ferris. At the other end of that real-time link is the CIAs Ed Hoffman, strategizing events from thousands of miles away. And as Ferris nears the target, he disc
The CIAs hunt is on for the mastermind of a wave of terrorist attacks. Roger Ferris is the agencys man on the ground, moving from place to place, scrambling to stay ahead of ever-shifting events. An eye in the sky a satellite link watches Ferris. At the other end of that real-time link is the CIAs Ed Hoffman, strategizing events from thousands of miles away. And as Ferris nears the target, he discovers trust can be just as dangerous as it is necessary for survival. Leonardo DiCaprio (as Ferris) and ! Russell Crowe (as Hoffman) star in Body of Lies, adapted by William Monahan (The Departed) from the David Ignatius novel. Ridley Scott (American Gangster, Black Hawk Down) directs this impactful tale, orchestrating exciting action sequences and plunging viewers into a bold spy thriller for our time.Set it next to the similar Middle-East intrigue of Syriana, and Body of Lies is easy to follow--in fact, this movie's plot is amazingly straightforward for an espionage picture. Leonardo DiCaprio is the CIA agent on the ground, an Arabic-speaking chameleon who believes in forging personal relationships based on trust and professionalism. Russell Crowe is his supervisor, a meddler who makes up the rules as he goes along and is more than willing to trade long-term benefits for a short-term "win." (One of these characters is surely intended to represent the foreign policy style of the Bush administration in the first decade of the 21st century; take a guess which one.)! While working on a case in Jordan, DiCaprio gets a modest fli! rtation going with a nurse (Golshifteh Farahani), although his most intense relationship is with a Jordanian intelligence chief (great role for Mark Strong) who takes a wary view of the CIA's activities. Ridley Scott directs as though weary of all the fuss, and his merriment in Crowe's breezy sociopath gives the movie a rather strange aftertaste. It gets the job done, although after it's over you might find yourself craving the head-scratching complications of Syriana. --Robert Horton

Good Night and Good Luck [Blu-ray]

  • "Good Night, And, Good Luck" takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Jo
"Good Night, And, Good Luck." takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Joe Wershba in the CBS newsroom - defy corporate and sponsorship pressures to examine the lies and scarem! ongering tactics perpetrated by McCarthy during his communist 'witch-hunts'. A very public feud develops when the Senator responds by accusing the anchor of being a communist. In this climate of fear and reprisal, the CBS crew carries on and their tenacity will prove historic and monumental.

DVD Features:
Audio Commentary:with George Clooney and Grant Heslov
Documentary:Good Night, and Good Luck companion piece
Theatrical Trailer

Without force-feeding its timely message, Good Night, and Good Luck illuminates history to enlighten our present, when the need for a free and independent press is more important than ever. In 90 breathtaking minutes of efficient and intricate storytelling, writer-director George Clooney and cowriter Grant Heslov pay honorable tribute to the journalistic integrity of legendary CBS newscaster Edward R. Murrow, who confronted the virulent and overzealous anti-Communist witch-hunting of Wisconsin Se! n. Joseph McCarthy in 1953-54, and emerged as a triumphant tru! th-seeke r against the abuses of corporate and governmental power. As played by David Strathairn, Murrow is a dogged realist, keenly aware of the smear tactics that will be employed against him; Clooney provides crucial backup as Murrow's "See It Now" producer and closest confidante Fred Friendly, forming a fierce but not entirely fearless triumvirate of broadcasting bravery with CBS chief William Paley (Frank Langella), who anxiously champions Murrow's cause under constant threat of reprisals. While using crisp black-and-white cinematography (by Robert Elswit) to vividly recreate the electrifying atmosphere of the CBS newsroom and the early years of television, Clooney (son of long-time Cincinnati newsman Nick Clooney) proves his directorial skill by juggling big themes and an esteemed ensemble cast, never stooping to simplification of ethically complex material. Good Night, and Good Luck is an instant classic, destined for all the accolades it so richly deserves. --Jeff S! hannon

Bounce Fabric Softener Sheets, Outdoor Fresh Scent, 120-Count Box (Pack of 2)

Wrath of Gods

  • Director's Cut, 72 minutes
  • 2 hours of bonus material
  • 1 hour exclusive interview with Gerard Butler
  • Additional and extended scenes & exclusive interviews with the people behind Beowulf & Grendel
  • Subtitles: Spanish, German, French, Icelandic, Polish + Version for the hearing impaired
This touching and humorous movie has earned the raves of critics and won the hearts of audiences everywhere! To spare the feelings of her fatherless boy, Lizzie (Emily Mortimer -- Disney's THE KID) secretly authors letters from his "father" that detail seafaring adventures from around the world. But she cannot maintain this illusion forever. Torn between exposing the truth and protecting her son, Lizzie gets more than anyone bargained for when she hires a handsome stranger (Gerald Butler -- THE PHANTOM OF THE OPERA, LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE) to play the role of a li! fetime! Winner at both the Heartland Film Festival and the Seattle International Film Festival, this entertaining motion picture is sure to touch your heart!Driven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizzie's repressed desires come ! to the fore with a man posing as her husband. The moral tangle! s are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghDriven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizz! ie's repressed desires come to the fore with a man posing as her husband. The moral tangles are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Short Film, Trailer(s), SYNOPSIS: The title character in this bowl of Scottish blarney is a sweet nine-year-old deaf boy (Jack McElhone) who lives a fugitive existence with his beautiful mother (Emily Mortimer) and his chain-smoking grandmother (Mary Riggans). The family is forced to move every few months to avoid being tracked down by Frankie's violent, abusive father. Th! e happiness of the boy, who is too young to remember the his f! ather re volves around bogus letters penned by his mother posing as his devoted but absent dad, supposedly a merchant seaman. When a ship that coincidentally has the same name as the one his mother invented docks, she hires an impersonator (Gerard Butler) to play his seafaring dad. Although sensitively acted, the movie is a fraudulent mawkish yarn riddled with plot holes and improbabilities. SCREENED/AWARDED AT: BAFTA Awards, European Film Awards, Montreal World Film Festival, ...Dear FrankieWinner of 6 international film festival awards, this entertaining documentary tells the dramatic story behind the making of the epic movie Beowulf & Grendel, starring Gerard Butler, Stellan Skarsgard, Sarah Polley and Ingvar Sigurdsson. When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves. Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf's warriors, he's one set with his camera as the crew battles hurricane force winds and he's in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision. If you liked "Lost in la Mancha" or "Burden of Dreams" you will probably like this one. DVD Special Features: 2 hours of bonus features, 1 hour exclusive interview with Gerard Butler, exclusive interviews with producers of Beowulf & Grendel, additional & extended scenes, chapter selection, Subtitles: Spanish, German, French, Icelandic, Polish, English, version for the hearing impaired.

Best-ever Games for Youth Ministry

Shaun of the Dead

  • Zombie Gallery, Uncensored Commmentary, Zomb-o-meter
HOT FUZZ - DVD MovieIn Shaun of the Dead, it was the zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Peg! g's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyHere comes the fuzz…with more action and comedy than ever before! This definitive Hot Fuzz Ultimate Edition features non-stop entertainment that delivers heart-pounding thrills and outrageous laughs from the guys! that created Shaun of the Dead!In Shaun of the Dead, i! t was th e zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny ! at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyHOT FUZZ COLLECTOR'S EDITION - DVD MovieIn Shaun of the Dead, it was the zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha C! hristie country. His superiors (the comic trifecta of Martin C! ampbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured! than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyGet ready for a gut-busting, outrageous comedy from the guys that created Shaun of the Dead. Nicholas Angel (Simon Pegg) is a big-city cop who can't be stopped - but he's making everyone else on the force look bad. When he is reassigned to a small, quiet town, he struggles with this new, seemingly idyllic world and his bumbling partner (Nick Frost). But their dull existence is interrupted by several grisly and suspicious accidents, and the crime-fighting duo turn up the heat and hand out high-octane, car-chasing, gun-fighting big-city justice in this hilarious hit critics are calling "Outrageous! Uproariously Funny!" (Thelma Adams, US Weekly). Starring: Simon Pegg, Nick Frost, Jim Broadbent, Paddy Considine, Timothy Dalton, Anne Reid, Rafe Spall, Billie Whitelaw, Edward Woodward, Bill Nighy Directe! d by: Edgar WrightIn Shaun of the Dead, it was the zomb! ie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, A! ngel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyStudio: Uni Dist Corp. (mca) Release Date: 06/28/2011 Rating: RThere comes a day in every man’s life when he has to get off the couch...and kill some zombies. When flesh-eating zombies are on the hunt for a bite to eat, it’s up to slacker Shaun (Simon Pegg) and his best pal Ed (Nick Frost) to save their friends and family from becoming the next entrée. Novelist Stephen King gushes Shaun of the Dead is “a 10 on ! the fun meter and destined to be a cult classic” and Newswee! k calls it “a bloody hoot!” It’s a screamingly hilarious zomedy that will have you dying with laughter.British horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some famil! ar faces from The Office. --Bret FetzerGet ready for a gut-busting, outrageous comedy from the guys that created Shaun of the Dead. Nicholas Angel (Simon Pegg) is a big-city cop who can't be stopped - but he's making everyone else on the force look bad. When he is reassigned to a small, quiet town, he struggles with this new, seemingly idyllic world and his bumbling partner (Nick Frost). But their dull existence is interrupted by several grisly and suspicious accidents, and the crime-fighting duo turn up the heat and hand out high-octane, car-chasing, gun-fighting big-city justice in this hilarious hit critics are calling "uproariously funny!" (Thelma Adams, US Weekly).In Shaun of the Dead, it was the zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is p! romoted to sergeant. The catch is that he's being transferred ! to Agath a Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-ra! ting with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyIt is only natural to be scared of zombies, and to prevent them from laying waste to your home. A more relaxing approach, however, is to be bored and vaguely annoyed by them, or, better still, not to notice them in the first place. This is the premise of Edgar Wright's British comedy, which may be responsible for kicking off a new and specialized genre of slacker horror. Shaun (Simon Pegg) lives a supremely uneventful life, which revolves around his girlfriend (Kate Ashfield), his mother (Penelope Wilton), and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners. The finale, in which the pub turns into an Alamo, is the bloodiest, mos! t orthodox, and least witty part of the movie; far sharper are! the ear ly scenes in which Shaun wanders happily to the local store along a battered, zombie-dotted street and pulps his attackers with a cricket bat. The central joke is so snappy and well sustained that you barely catch sight of the ominous vision on offer: a country that already feels like death. -Anthony Lane
Copyright © 2006 The New YorkerBritish horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie ! movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some familar faces from The Office. --Bret Fetzer
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