Minggu, 27 November 2011

McLeod's Daughters - The Complete First Season

  • The landmark first season of MCLEOD S DAUGHTERS marks the beginning of an unforgettable journey for Claire and Tess two sisters separated as children and reunited when they inherit Drover s Run a large Australian cattle property passed down for generations. With a lot of heart and humor, they pull together a group of women who have committed to an extraordinary life at Drover s Run. Format: DVD
"Once Upon A Time there lived a lovely girl named Samantha. She had everything she could possibly wish for, and lived in a beautiful white house. The White House Katie Holmes stars as First Daughter Samantha Mackenzie _ a sheltered young woman who just wants a normal school experience, away from the influence of her parents. Only trouble is, her dad (Michael Keaton) is the President of the United States! But nothing will stop Samantha, so, under Secret Service surveillance and a nonstop media glare, sh! e meets _ and falls hard for _ a handsome student who has a secret existence of his own."Playing the president's kin in the modern fairy tale First Daughter is the most grown-up role yet for Dawson's Creek cutie Katie Holmes. Samantha McKenzie (Holmes) has lived all her life on the edge of the political spotlight, but she hopes that she'll get away from it all when she leaves the White House for college. No such luck. Even though she's able to make friends with her roommate (singer Amerie) and meet a nice guy (Marc Blucas), security is tight in an election year, and the Secret Service follows her wherever she goes. First Daughter isn't particularly original (it was the working title for Mandy Moore's Chasing Liberty, which opened in theaters earlier the same year, 2004), but it's a chuckle-inducing girlie movie that's worth watching for Holmes. Also, Michael Keaton is especially likable as a president and dad. That's a big change for Holmes! , who as Dawson's Creek's Joey Potter was a poster chil! d for da ughters with dysfunctional fathers. --David HoriuchiThey’re Ordinary Women Facing the Extraordinary Adventure of Life on the Land

The landmark first season of McLeod’s Daughters marks the beginning of an unforgettable journey for Claire and Tess â€" two sisters separated as children and reunited when they inherit Drover’s Run â€" a large Australian cattle property passed down for generations.

With exclusive behind-the-scenes footage plus the full length TV movie that started it all, this 6 DVD collection is a must-own collectible for any fan of this great Australian television series.

ASUS PCI-Express x1 7.1 Channel Sound Card XONAR_DX/XD/A/90-YAA060-1UAN00Z

  • Output Signal-to-Noise Ratio (A-Weighted): 116dB for front-out, 112dB for other channels dB;
  • Input Signal-to-Noise Ratio (A-Weighted): 112 dB; Output THD+N at 1kHz: 0.00056% (-105dB) for Front-out
  • Input THD+N at 1kHz: 0.0004% (-108dB) for Line-in;
  • Frequency Response (-3dB, 24-bit/96kHz input): <10Hz to 48KHz; Output/Input Full-Scale Voltage: 2 Vrms (5.65 Vp-p)
  • Audio Processor: ASUS AV100 High-Definition Sound Processor (Max. 192KHz/24bit);
  • 24-bit D-A Converter of Digital Sources: 1x Cirrus-Logic CS4398 for Front-Out(120dB SNR, Max.192kHz/24bit), 1x Cirrus-Logic;
  • CD-ROM drive (or DVD-ROM drive) for software installation; High-quality headphones, powered analog speakers,
  • CS4362A for other 6 channels; 24-bit A-D Converter for Analog Inputs: 1x Cirrus-Logic CS5361 (114dB SNR, Max. 192kHz/24bit);
  • Microsoft Windows Vista(32/64bit)/XP(32/64bit)/! MCE2005; Intel Pentium 4 1.4GHz or AMD Athlon 1400 CPU or faster CPU
  • One PCI Express 1.0 (or higher) compatible slot for the audio card; One available 4-pin power cable from PC?s power supply unit;
They all live in Los Angeles. And in the next 36 hours, they will collide.Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get p! ulled over by a white racist cop (Matt Dillon) and his relucta! nt partn er (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer

Stills from Crash (click for larger image)







This compelling urban thriller tracks the volatile intersection of a multiethnic cast of characters struggling to overcome their fears as they car! een in and out of one another's lives. In the gray area betwee! n black and white, victim and aggressor, during the next 36 hours, they will all collide.Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black! cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer

Stills from Crash (click for larger image)

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In the recent past, the cries of stock market crash 2005 were not yet smoothen after the revival of stock market to some extent that the situation was again worsen and the market was again pulled down to such an extent that daily traders were left with nothing except bankruptcy. In order to meet with such type of alarming situation, this book demonstrat! es the manners and methods under which a stock market crash occurs especially with reference to Pakistan. A deep insight in the capitalization set up of the major companies is brought forward so that anyone who intends to enter the business should be aware of these realities which are prevailing in the different scrips. The study would be helpful for the business class as well as the executive class or anyone else for the purpose of gaining profits and avoiding monetary losses while conducting trade in the stock market or somewhere else. It may be helpful for researchers in advance studies as having a foundation in it.Asus Xonar DX PCI-Express x1 7.1 Channel Sound Card,One PCI Express 1.0 (or higher) compatible slot for the audio card , One available 4-pin power cable from PC s power supply unit , Microsoft Windows Vista(32 or 64bit) or XP(32 or 64bit) or MCE2005 , Intel Pentium 4 1.4GHz or AMD Athlon 1400 CPU or faster CPU,CS4362A for other 6 channels , 24-bit A-D Con! verter for Analog Inputs , 1x Cirrus-Logic CS5361 (114dB SNR,! Max. 19 2kHz/24bit) .

Afterglow AX.1 Controller for Xbox 360 - Blue "New for 2010"

Across the Universe (Two-Disc Special Edition)

  • Condition: Used, Very Good
  • Format: DVD
  • Anamorphic; NTSC
Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert! , Chicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love proves a powerful uniting force, its limitations become clear as relationships are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly! choreographed dance segments, seemingly commonplace character! interac tion, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami HoriuchiAcross the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. A! s the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, Chicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love prove! s a powerful uniting force, its limitations become clear as re! lationsh ips are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly choreographed dance segments, seemingly commonplace character interaction, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami Horiuchi

Beyond Across the Universe


On Blu-ray

The Deluxe Soundtrack

Beatles audio CD

Stills from Across the Universe (click for larger image)




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"F" is for Fugitive (Kinsey Millhone Mysteries)

Dorian Gray

  • DORIAN GRAY (DVD MOVIE)
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense ! of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."This book was converted from its physical edition to the digital format by a community ! of volunteers. You may find it for free on the web. Purchase o! f the Ki ndle edition includes wireless delivery.Dorian Gray, a handsome young man, receives a beautiful painting of himself from his good friend Basil Hallward. In the same moment, a new acquaintance, Lord Henry, introduces Dorian to the ideals of youthfulness and hedonism, of which Gray becomes immediately obsessed. Meanwhile, the painting in Dorian's possession serves as a constant reminder of his passing beauty and youth, driving his obsession.A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surrou! ndings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as wel! l as all renunciation, brings its own punishment."Forever you! ng. Fore ver cursed. Based on the acclaimed novel by Oscar Wilde. Upon arriving in London, the young and powerful Dorian Gray (Ben Barnes) becomes drawn into a world of debauchery and decadence by Lord Henry Wotton (Colin Firth). Desperate to preserve the beauty captured in his exquisite portrait, Dorian trades his soul for eternal youth â€" leading him down a path of wickedness and murder in order to protect his horrifying secret.

Beauty and the Beast

  • the beauty and the beast
  • Belle
  • Picture frame
  • photo frame
  • bell photo frame
This "tale as old as time" follows the adventures of Belle, a bright young woman who finds herself imprisoned in the castle of a mysterious beast. With the assistance of the castle's enchanted staff, a delightful and tender romance develops between these two unlikely friends and Belle soon learns the most important lesson of all â€" that true beauty comes from within.The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is! too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or una! vailable edition of this title.
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