Minggu, 11 Desember 2011

Down with Love (Widescreen Edition)

  • 2003 - Down With Love - DVD Video
  • Renee Zellweger, Ewan McGregor, Tony Randall
  • Widescreen Edition - Rated PG-13
  • New - With Bonus Features -
  • Collectible
Renee Zellweger (Chicago) and Ewan McGregor (Moulin Rouge) are the toast of the town in the most stylish romantic comedy of the year! From the producers of American Beauty and the director of Bring It On comes a teasing, tantalizing battle of the sexes that is "pure enchantment" (Daily News). When best-selling feminist author Barbara Novak (Zellweger) becomes the target of dashing playboy Catcher Block (McGregor), these sparring, would-be lovers generate enough sparks to fly you to the moon and back. In other words, the ultimate catch has just met his match!The bright, glossy world of Doris Day and Rock Hudson sex comedies gets a self-aware brush-up in Down with Love. Pillow-lipped Renée Zellweger (Ch! icago) plays Barbara Novak, the author of a bestselling book called Down with Love that advises women to focus on their careers and have sex à la carte--just like a man would. Determined to prove that Novak is just as vulnerable to love as any woman, dashingly chauvinist magazine writer Catcher Block (ever-charming Ewan McGregor, Moulin Rouge) pretends to be a courtly astronaut who wouldn't dream of putting his hand on a woman's knee. This piffle of a story seems like nothing more than an excuse for ironic double-entendres and dazzling production design, until a sneaky plot twist suddenly raises the stakes for the movie's end. As he always does, the brilliant David Hyde Pierce (Frasier) scores the most comic points as Block's fussy editor. --Bret Fetzer

Rabu, 07 Desember 2011

District B13

  • In this action packed film set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb. Format: DVD MOVIE Genre: FOREIGN Rating: NR Age: 876964000208 UPC: 876964000208 Manufacturer No: 10020
In this action packed film set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb.For eye-popping kinetic thrills, District B13 tops the class. In the near future, the worst ghettos of Paris have been walled in and left to rot. When a neutron bomb gets stolen by a criminal kingpin in seedy District B13, Damien--a cop who specializes in deep cover assignments (Cyril Raffaelli, a stuntman turned actor)--has to team up with Leito (David Belle), who grew up in the district and has his own reason for going back: the kingpin kidnapped his sister (tough yet adorable! gamine Dany Verissimo). The plot takes a few preposterous turns, but it's beside the point--every turn serves only to maintain the relentless flow of sheer physical prowess. Belle is one of the inventors of a sport called parkour, which treats a city's architecture like an obstacle course; while running from gun-toting thugs, Leito leaps, bounds, and scrambles up and down buildings with astonishing grace. The fight sequences are just as down-to-earth yet over-the-top as Damien whirls, kicks, and crunches through armies of bad guys. Just as important is the tongue-in-cheek tone that never turns smirky; the movie doesn't take itself seriously, but doesn't mock itself or its basic cinematic pleasures. Anyone looking for a break from the overbearing CGI and self-important pomp of Hollywood action movies should watch District B13. --Bret Fetzer

Minggu, 04 Desember 2011

Ghost Town (Morganville Vampires, Book 9)

  • ISBN13: 9780451232915
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Studio: Paramount Home Video Release Date: 12/26/2008Ricky Gervais is brilliant in Ghost Town, playing an unnervingly rude dentist, Bertram, who dies for a few minutes during surgery and acquires the unwanted ability to see ghosts. Chased throughout Manhattan by a gaggle of restless spirits begging him to take care of their unfinished business on Earth, Bertram turns them all away except Frank (Greg Kinnear). The latter, a rogue who cheated on his archaeologist widow, Gwen (Téa Leoni), wants Bertram to intervene in a romance between Gwen and a starchy activist (Bill Campbell). Misanthropic Bertram has to polish his relationship patter, but ends up sounding a lot like Gervais' infamous characte! r in the original The Office, unable to complete a sentence without making others uncomfortable. In time, of course, Bertram falls for the wonderful Gwen, setting up a bunch of overlapping conflicts. Cowritten and directed by David Koepp (Indiana Jones and the Kingdom of the Crystal Skull), Ghost Town walks a fine line between comic freshness and a story idea with elements that have become overly familiar in movies and on television. Kinnear and Leoni have never been better on screen, but Ghost Town is well worth seeing because no one like Gervais has previously played the hapless hero in a high-concept film such as this one. With Gervais doing his familiar, hilariously discomfiting thing, it really doesn't matter what kind of movie Ghost Town is. Happily, it's a pretty good film in every respect. --Tom Keogh




Stills from Ghost Town (Click for larger image)











Studio: Paramount Home Video Release Date: 12/26/2008Ricky Gervais is brilliant in Ghost Town, playing an unnervingly rude dentist, Bertram, who dies for a few minutes during surgery and acquires the unwanted ability to see ghosts. Chased throughout Manhattan by a gaggle of restless spirits begging him to take care of their unfinished business on Earth, Bertram turns them all away except Frank! (Greg Kinnear). The latter, a rogue who cheated on his archae! ologist widow, Gwen (Téa Leoni), wants Bertram to intervene in a romance between Gwen and a starchy activist (Bill Campbell). Misanthropic Bertram has to polish his relationship patter, but ends up sounding a lot like Gervais' infamous character in the original The Office, unable to complete a sentence without making others uncomfortable. In time, of course, Bertram falls for the wonderful Gwen, setting up a bunch of overlapping conflicts. Cowritten and directed by David Koepp (Indiana Jones and the Kingdom of the Crystal Skull), Ghost Town walks a fine line between comic freshness and a story idea with elements that have become overly familiar in movies and on television. Kinnear and Leoni have never been better on screen, but Ghost Town is well worth seeing because no one like Gervais has previously played the hapless hero in a high-concept film such as this one. With Gervais doing his familiar, hilariously discomfiting thing, it really doesn't matter ! what kind of movie Ghost Town is. Happily, it's a pretty good film in every respect. --Tom Keogh




Stills from Ghost Town (Click for larger image)











While developing a new system to maintain the town's defenses, genius student Claire Danvers discovers a way to use the vampires' powers to keep outsiders from spreadin! g news of Morganville's "unique" situation.

But when people in town start forgetting who they are-including the vampires-Claire has to figure out how to pull the plug on her experiment before she forgets how to save herself...and Morganville.

Best-ever Games for Youth Ministry

Sabtu, 03 Desember 2011

Frost/Nixon [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen
From Academy Award-winning director Ron Howard comes the electrifying, untold story behind one of the most unforgettable moments in history. When disgraced President Richard Nixon agreed to an interview with jet-setting television personality, David Frost, he thought he’d found the key to saving his tarnished legacy. But, with a name to make and a reputation to overcome, Frost became one of Nixon’s most formidable adversaries and engaged the leader in a charged battle of wits that changed the face of politics forever. Featuring brilliant portrayals by Frank Langella and Michael Sheen, Frost/Nixon is the fascinating and suspenseful story of truth, accountability, secrets and lies.Sounds like a good match: a historical drama from the author of The Queen, but! with an American subject in the generational wheelhouse of director Ron Howard. And so Peter Morgan's Tony-winning play morphs into a Hollywood movie under the wing of the Apollo 13 guy. Morgan's subject is a curious moment of post-Watergate shakeout: British TV host David Frost's long-form interviews with ex-President Richard Nixon, conducted in 1977. It was a big ratings success at the time, justifying the somewhat controversial decision to cut an enormous check for Nixon's services. The movie adds a mockumentary note to the otherwise straightforward style, having direct-to-camera addresses from various aides to Frost and Nixon (played by the likes of Oliver Platt, Sam Rockwell, and Kevin Bacon); these basically tell us things we already glean from the rest of the movie, adding unnecessary melodrama and upping the stakes. In this curious scheme, the success of Frost's career, which could bellyflop if he doesn't get something worthwhile out of the cagey, long-win! ded Nixon, is given somewhat more weight than the actual revel! ations o f the interviews. Even with these questionable storytelling decisions, there's still the spectacle of two actors going at it hammer and tongs, and on that level the movie offers some heat. Michael Sheen, who played Tony Blair not only in The Queen but also in another Morgan-scripted project, The Deal, is adept at catching David Frost's blow-dried charm, as well as the determination beneath it. Frank Langella's physical performance as Nixon is superb, and he certainly can be a commanding actor, though veteran Nixon-watchers might find that he misses a certain depth of self-pity in the man. Both actors were retained from the original stage production, a rare thing in Hollywood--and probably Howard's best decision of the project. --Robert HortonFrom Academy Award-winning director Ron Howard comes the electrifying, untold story behind one of the most unforgettable moments in history. When disgraced President Richard Nixon agreed to an interview with j! et-setting television personality, David Frost, he thought he’d found the key to saving his tarnished legacy. But, with a name to make and a reputation to overcome, Frost became one of Nixon’s most formidable adversaries and engaged the leader in a charged battle of wits that changed the face of politics forever. Featuring brilliant portrayals by Frank Langella and Michael Sheen, Frost/Nixon is the fascinating and suspenseful story of truth, accountability, secrets and lies.Sounds like a good match: a historical drama from the author of The Queen, but with an American subject in the generational wheelhouse of director Ron Howard. And so Peter Morgan's Tony-winning play morphs into a Hollywood movie under the wing of the Apollo 13 guy. Morgan's subject is a curious moment of post-Watergate shakeout: British TV host David Frost's long-form interviews with ex-President Richard Nixon, conducted in 1977. It was a big ratings success at the time, justifyin! g the somewhat controversial decision to cut an enormous check! for Nix on's services. The movie adds a mockumentary note to the otherwise straightforward style, having direct-to-camera addresses from various aides to Frost and Nixon (played by the likes of Oliver Platt, Sam Rockwell, and Kevin Bacon); these basically tell us things we already glean from the rest of the movie, adding unnecessary melodrama and upping the stakes. In this curious scheme, the success of Frost's career, which could bellyflop if he doesn't get something worthwhile out of the cagey, long-winded Nixon, is given somewhat more weight than the actual revelations of the interviews. Even with these questionable storytelling decisions, there's still the spectacle of two actors going at it hammer and tongs, and on that level the movie offers some heat. Michael Sheen, who played Tony Blair not only in The Queen but also in another Morgan-scripted project, The Deal, is adept at catching David Frost's blow-dried charm, as well as the determination beneath it. Fr! ank Langella's physical performance as Nixon is superb, and he certainly can be a commanding actor, though veteran Nixon-watchers might find that he misses a certain depth of self-pity in the man. Both actors were retained from the original stage production, a rare thing in Hollywood--and probably Howard's best decision of the project. --Robert Horton

About Schmidt : Widescreen Edition

  • Widescreen
Warren Schmidt (Nicholson) is about to taste a not so sweet slice of life. When he retired, he and his wife Helen had big plans, but an unexpected twist changed everything. Now, all of Schmidt's attention is focused his daughter's upcoming wedding to a loser waterbed salesman. From meeting hippie parents to sponsoring a Tanzanian foster child, Schmidt embarks on a search for answers...and discovers that life is full of trick questions.

DVD Features:
DVD ROM Features
Deleted Scenes
Theatrical Trailer:Deleted Scenes - 9 scenes Woodmen Sequences Theatrical Trailer - 16X9 Widescreen More theatrical trailers from New Line: Unconditional Love I Am Sam Link to Original Website Childreach.org link

While confirming Jack Nicholson's status as an American national treasure, About Schmidt is sure to provoke polarized reactions. Stoked by ! the success of Election, director Alexander Payne and cowriter Jim Taylor have altered Louis Begley's novel to suit their comedic agenda, turning Nicholson's titular character into a 66-year-old, newly retired Omaha insurance actuary, weary from decades of drudgery and passionless marriage. When his wife suddenly dies, he attempts to reclaim his life in a king-sized Winnebago, desperate to convince his daughter (Hope Davis) not to marry the Denver dimwit (Dermot Mulroney) whose mother (Kathy Bates) has her own baggage of peculiar peccadilloes. Nicholson perfectly (and often hilariously) nails the seething anger beneath his character's façade of resignation, but Payne and Taylor convey cold-hearted contempt for these Midwestern malcontents. Think of this as Ikiru with bleaker humanity, until Schmidt finds meaning--and some small reward--in a quiet gesture of goodwill. Love it or hate it, About Schmidt is a movie you won't soon forget. --J! eff ShannonWarren Schmidt (Nicholson) is about to taste a ! not so s weet slice of life. When he retired, he and his wife Helen had big plans, but an unexpected twist changed everything. Now, all of Schmidt's attention is focused his daughter's upcoming wedding to a loser waterbed salesman. From meeting hippie parents to sponsoring a Tanzanian foster child, Schmidt embarks on a search for answers...and discovers that life is full of trick questions.

House of Sand and Fog

  • ISBN13: 9780393338119
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The National Book Award finalist, Oprah Book Club pick, #1 New York Times bestseller and basis for the Oscar-nominated motion picture.

A former colonel in the Iranian Air Force yearns to restore his family's dignity. A recovering alcoholic and addict down on her luck struggles to hold on to the one thing she has left. And her lover, a married cop, is driven to extremes to win her love.

In this masterpiece of American realism and Shakespearean consequence, Andre Dubus III's unforgettable charactersâ€"people with ordinary flaws, looking for a small piece of ground to stand onâ€"careen toward inevitable conflict, their tragedy painting a shockingly true pi! cture of the country we live in today.Oprah Book Club® Selection, November 2000: Andre Dubus III wastes no time in capturing the dark side of the immigrant experience in America at the end of the 20th century. House of Sand and Fog opens with a highway crew composed of several nationalities picking up litter on a hot California summer day. Massoud Amir Behrani, a former colonel in the Iranian military under the Shah, reflects on his job-search efforts since arriving in the U.S. four years before: "I have spent hundreds of dollars copying my credentials; I have worn my French suits and my Italian shoes to hand-deliver my qualifications; I have waited and then called back after the correct waiting time; but there is nothing." The father of two, Behrani has spent most of the money he brought with him from Iran on an apartment and furnishings that are too expensive, desperately trying to keep up appearances in order to enhance his daughter's chance! s of making a good marriage. Now the daughter is married, and ! on impu lse he sinks his remaining funds into a house he buys at auction, thus unwittingly putting himself and his family on a trajectory to disaster. The house, it seems, once belonged to Kathy Nicolo, a self-destructive alcoholic who wants it back. What starts out as a legal tussle soon escalates into a personal confrontation--with dire results.

Dubus tells his tragic tale from the viewpoints of the two main adversaries, Behrani and Kathy. To both of them, the house represents something more than just a place to live. For the colonel, it is a foot in the door of the American dream; for Kathy, a reminder of a kinder, gentler past. In prose that is simple yet evocative, House of Sand and Fog builds to its inevitable denouement, one that is painfully dark but unfailingly honest. --Alix Wilber

Before and After

  • Two of Hollywood's brightest stars, Meryl Streep (THE BRIDGES OF MADISON COUNTY, DEATH BECOMES HER), and Liam Neeson (SCHINDLER'S LIST) deliver spellbinding performances in this riveting, suspense-filled thriller! A small, close-knit community is rocked by a shocking murder -- and the only suspect is the teenage son of a respected local family. Suddenly, Dr. Carolyn Ryan (Streep) and her h
Before and After magazine's focus on clarity, simplicity, and elegance has won it legions of fans--fans who will welcome this second volume of the definitive Before and After Page Design by John McWade. Truly an icon of the graphic design community, his insistence on approaching design not as mere decoration but as an essential form of communication is vividly apparent in this cohesive primer on page design and layout. And you could not hope for a better, more qualified teacher. McWade shows r! eaders how to arrange and present information using today's powerful graphics tools. Readers will learn how to design single-page and multi-page documents, brochures, and ads; why one typeface works better than another; and much more. Best of all, they'll discover how to think visually transforming the images in their heads into something that communicates effectively on the page.Two of Hollywood's brightest stars, Meryl Streep (THE HOURS, ADAPTATION), and Liam Neeson (GANGS OF NEW YORK, SCHINDLER'S LIST) deliver spellbinding performances in this riveting, suspense-filled thriller! A small, close-knit community is rocked by a shocking murder -- and the only suspect is the teenage son of a respected local family. Suddenly, Dr. Carolyn Ryan (Streep) and her husband, Ben (Neeson) are faced with a gut-wrenching dilemma: Whether to risk everything on their son's innocence ... or protect him from his possible guilt! Devastating yet powerfully entertaining, you're sure to agree wi! th critics everywhere who found BEFORE AND AFTER thrilling fro! m beginn ing to end!Liam Neeson and Meryl Streep play a couple going through a parents' nightmare: Their son (Edward Furlong) is accused of murdering a local girl. What's worse, he's gone into hiding, seeming to lend credence to the charges. Neeson, as a passionate, intuitive artist, tries to take matters into his own hands; when he finds what appear to be blood-stained clothes in the kid's car, he cleans the whole thing up and winds up destroying evidence, making matters increasingly worse. Before and After is a solid if stolid drama, with a strong, controlled performance by Streep as the worried wife and mother, while Neeson comes off as overwrought playing the controlling father. Given the subject matter and the presence of director Barbet Schroeder, this movie should be a lot more interesting than it is. --Marshall Fine
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