Selasa, 29 November 2011

Glass: A Portrait of Philip in Twelve Parts

Extreme Dating

  • Four twenty-something friends believe that the key to winning over their true loves is to place themselves in extreme situations. They plot a fake kidnapping but the plan goes awry when the kidnappers turn out to be ex-cons with plans of their own. The remaining friends must now rescue the captives and manage to avoid the law at the same time.Running Time: 96 min. Format: DVD MOVIE Genre:&nbs
Danny (Chris Pine) is smart, handsome, popular, and blind... and not just physically: He also can't see how wild women are for him. Even his sexy therapist (Jane Seymour) can't keep her clothes on around Danny. After a series of painful "blind dates" set up by his brother (Kaye Thomas), Danny falls for a young Indian woman named Leeza (Anjali Jay), and finally everything seems picture perfect. But when cultures clash, and Leeza reveals that she's been promised to someone else, Danny must prove to her tha! t there's more to love than meets the eye!A romantic comedy disguised as an American Pie-type sex romp, Blind Dating tells the story of a sweet young blind man who falls for a woman who is engaged to be married. Hottie Chris Pine plays Danny, who has never had a serious girlfriend. His annoying but well-meaning brother Larry (Eddie Kaye Thomas, American Pie) is intent on helping Danny lose his virginity by hooking him up with several inappropriate women. Then there's Dr. Evans (Jane Seymour), Danny's unorthodox therapist who has the odd habit of undressing as he talks about his dates. Though the scenes are played for laughs, there's something inherently creepy about them since Dr. Evans clearly needs to take a class on boundaries. Blind Dating has an uneven feel because it's trying to be too many things at the same time. It would've fared better had it concentrated less on Larry's shenanigans and more on the budding romance between Danny and Leez! a (Anjali Jay), the receptionist at Danny's eye doctor's offic! e. Becau se one of the central characters is blind, and another works for an optometrist, it is giving nothing away to say that part of the plot involves a surgical procedure that could potentially restore Danny's eyesight. It would've been nice to learn more about Leeza's Indian background; the film implies that the marriage her parents have arranged for her is a bad one (and it probably is). But it would've been interesting to see the family presented as more than caricatures. While not a great film, Blind Dating has some sweet moments, courtesy of Pine and Jay. --Jae-Ha KimNo Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 23-MAR-2004
Media Type: DVDBruce Willis's first starring vehicle was this 1987 comedy by Blake Edwards (Victor/Victoria), in which the actor plays a yuppie set up on a blind date with a beautiful blonde (Kim Basinger). Everything goes swimmingly until Willis does what he wa! s warned not to do: give the lady alcohol, which causes her to get entirely out of control. The one-note joke basically turns the film into a succession of set pieces in which Willis has to keep up with Basinger, bail her out of trouble, or get out of the way of her hotheaded former boyfriend (John Larroquette). Willis is fine, Basinger is impressively unhinged, Larroquette is hilarious, and Phil Hartman has a nice role as the friend who set up Willis's evening from hell. The slapstick shtick is classic Edwards, but the film is not Edwards at his most inspired. Consider Blind Date the work of a good filmmaker in a holding pattern. --Tom Keogh Four twenty-something friends believe that the key to winning over their true loves is to place themselves in extreme situations. They plot a fake kidnapping but the plan goes awry when the kidnappers turn out to be ex-cons with plans of their own. The remaining friends must now rescue the captives and manage to avoid the! law at the same time.

DVD Features:
Audio Comm! entary
Gag Reel


Dead Silence [Blu-ray]

  • UK Import
  • Blu-ray
  • Region-Free
New unrated version more gruesome and horrifying than anything seen in theaters. Dare to unlock the deadly curse of Mary Shaw... From the writers and director of Saw comes a new thriller of relentless terror! Ever since Mary Shaw was hunted down and killed, the small town of Ravens Fair has been haunted by horrific deaths. When a local's wife is brutally murdered, he returns home to unravel the terrifying legend of Mary Shaw and the reason why when you see her, you should never, ever scream. Starring: Donnie Wahlberg, Ryan Kwanten, Amber Valletta, Bob Gunton, Michael Fairman, Judith Roberts, Laura Regan Directed by: James WanYou Scream. You Die. Dare to unlock the deadly curse of Mary Shaw... From the writers and director of Saw comes a new thriller of relentless terror! Ever since Mary Shaw was hunted down and killed, the small town of Rav! ens Fair has been haunted by horrific deaths. When a local's wife is brutally murdered, he returns home to unravel the terrifying legend of Mary Shaw and the reason why when you see her, you should never, ever scream. Starring: Donnie Wahlberg, Ryan Kwanten, Amber Valletta, Bob Gunton, Michael Fairman, Judith Roberts, Laura Regan Directed by: James WanBilly in Dead Silence inevitably recalls other possessed dolls such as those in Devil Doll, but he is an entertaining dummy nonetheless. As a variation on evil-doll films like Child's Play or Puppet Master, Dead Silence stars a dummy who isn't a killer himself but a vehicle for a vengeful ghost. Previously owned by Mary Shaw, a ventiloquist who was murdered by local Ravens Hill villagers for kidnapping a boy to turn him into a human puppet, Billy houses Mary Shaw's spirit while she gets revenge on all those who killed her. Jamie Ashen (Ryan Kwanten) unravels Billy's mystery after Billy is delivered! to his door to claim Jamie's wife's life, since she is pregna! nt with Jamie's son. Mary Shaw aims to obliterate his entire Ashen clan, since they were partially responsible for her death. Plot, from there, teeters on the ridiculous, as Mary (via Billy) rips peoples tongues out left and right. Jamie's futile attempts to stop Shaw's ghost result in his discovering a gruesome secret about his brutal, abusive father. Writer Leigh Whannell and director James Wan, of Saw, made this almost comical film about 101 dummies, all relatives of Billy's, who are slaves to their sadistic creator. With many direct references to '80s horror films, and a soundtrack theme song almost exactly like Phantasm's, Dead Silence's charm banks on its lack of computer-y special effects rather than its originality. Billy's sly violence is creepy but funny, making for a relatively lighthearted horror film that won't traumatize as much as it makes one chuckle. â€"Trinie DaltonOld ladies, ventriloquist dummies, decrepit small-towns, and dolls are all explo! ited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylised black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen potter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. When Jamie goes out to pick up some takeout, he returns to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story.Billy in Dead Silence i! nevitably recalls other possessed dolls such as those in Devil Doll, but he is an entertaining dummy nonetheless. As a variation on evil-doll films like Child's Play or Puppet Master, Dead Silence stars a dummy who isn't a killer himself but a vehicle for a vengeful ghost. Previously owned by Mary Shaw, a ventiloquist who was murdered by local Ravens Hill villagers for kidnapping a boy to turn him into a human puppet, Billy houses Mary Shaw's spirit while she gets revenge on all those who killed her. Jamie Ashen (Ryan Kwanten) unravels Billy's mystery after Billy is delivered to his door to claim Jamie's wife's life, since she is pregnant with Jamie's son. Mary Shaw aims to obliterate his entire Ashen clan, since they were partially responsible for her death. Plot, from there, teeters on the ridiculous, as Mary (via Billy) rips peoples tongues out left and right. Jamie's futile attempts to stop Shaw's ghost result in his discovering a gruesome secret ab! out his brutal, abusive father. Writer Leigh Whannell and dire! ctor Jam es Wan, of Saw, made this almost comical film about 101 dummies, all relatives of Billy's, who are slaves to their sadistic creator. With many direct references to '80s horror films, and a soundtrack theme song almost exactly like Phantasm's, Dead Silence's charm banks on its lack of computer-y special effects rather than its originality. Billy's sly violence is creepy but funny, making for a relatively lighthearted horror film that won't traumatize as much as it makes one chuckle. â€"Trinie Dalton

Austin Powers Collection (International Man of Mystery / The Spy Who Shagged Me / Goldmember) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Box set; Color; Dolby; Special Edition; Subtitled; Widescreen
Austin Powers-International Man of Mystery Name: Austin Danger Powers. Sex: Yes, please! Combine the swinging '60s, spy movies, talented Mike Myers in dual roles and one hilariously well- placed champagne bottle and you get Austin Powers: International Man of Mystery. Say "Yeah, baby!" for laughs as Flower Power-era superspy Austin (Myers) is thawed from a 30-year cryogenic freeze to stop the world-dominating scheme of bald baddie Dr. Evil (also Myers). Elizabeth Hurley, shagadelic style and Austin's randy attempts to find '60s-style free love in a very different, uptight time add to the groovy fun of this mad, mod, Myers world.

Austin Powers: The Spy Who Shagged Me He's back--back in the 1960s. Secret agent Austin Powers (Mike Myers) hops in a top-secret time machine and z! ips 30 years back to 1969 to confront Dr. Evil (Myers) and his latest, vilest scheme. Evil is eviler â€" he has a diminutive clone Mini-Me (Verne J. Troyer) and massive Fat Bastard (Myers) as a henchmen. Austin, who "put the grrr in swinger, baby," is swingier…if he and fab spy chick Felicity Shagwell (Heather Graham) can recover the mojo Evil stole from Austin.

Austin Powers in Goldmember The mission for Austin (Mike Myers): Shake booty into the glittery roller-disco days of 1975 and rescue his suave spy dad (Michael Caine) from the scheme of â€" Shh! â€" Dr. Evil (Myers). The minions: freaky-flakey Goldmember, Fat Bastard (both played by Myers) and Mini Me (Verne Troyer). The minx: Austin's sassy ex-squeeze Foxxy Cleopatra (Beyoncé Knowles). The result: a three-for-all of grooviness that whisks from the 2000s to the 1970s and back to the 2000s â€" the screamingly funny third Austin Powers!

Procter & Gamble Chr Horiz Filter System 527 Ice Maker & End Of Faucet

Bowfinger

  • TESTED
BOWFINGER - DVD MovieFilmmakers often remark that it's just so hard to make a bad picture that few would take on the challenge if they weren't so naive. Steve Martin's Bobby Bowfinger is cut from that pattern, one of those sweet, indomitable operators of Hollywood who seem to be descended directly from Ed Wood (of Plan 9 from Outer Space infamy). To resurrect his ramshackle existence, Bowfinger opts to film his accountant's sci-fi spectacular, Chubby Rain, about aliens invading in raindrops. The snag is he needs to attach action megastar Kit Ramsey (Eddie Murphy), an actor so paranoid he counts the K's in scripts to uncover possible Ku Klux Klan influences. When his effort fails, Bowfinger hits on an ingenious scheme to film Ramsey without his knowledge, throwing his actors at the hapless star whenever he appears in public. Only Kit begins to believe he's being h! ounded by aliens for real, and runs hysterically to his guru (Terence Stamp) at a Scientology-clone group called MindHead, where people walk around in fine suits wearing white pyramids on their heads. Deprived of his star, yet not to be undone, Bowfinger hires a look-alike, Jiff (also Eddie Murphy), to fill in. The tone of the picture is sometimes flat, rather than deadpan, but that's nitpicking. The farce is quick and engrossing, and populated with terrific performances, especially by Eddie Murphy, whose dual role as Kit and Jiff showcases his character-building gift, and by Martin, whose Bowfinger, part con man and part would-be visionary, manages to capture your sympathies. Heather Graham's would-be actress cheerfully sleeps her way to the top like she knows she's supposed to, and Christine Baranski plays her shopworn method actor with myopic self-absorption. --Jim Gay

Senin, 28 November 2011

SpaRitual Fall 2009 Forbidden Nail Lacquer Collection, Hush

  • Warm Brown Crème.
The complete critically acclaimed and best-selling tale is now available in one sensational hardcover volume.

BATMAN: HUSH is a thrilling mystery of action, intrigue, and deception penned by Jeph Loeb (BATMAN: THE LONG HALLOWEEN) and illustrated by comics superstar Jim Lee (ALL STAR BATMAN & ROBIN, THE BOY WONDER) in which Batman sets out to discover the identity of a mysterious mastermind using the Joker, Riddler, Ra's al Ghul and the Dark Knight's other enemies - and allies - as pawns in a plan to wreak havoc.The complete best-selling saga written by Jeph Loeb (SUPERMAN/BATMAN, Smallville) with art by fan-favorites Jim Lee & Scott Williams (SUPERMAN, Uncanny X-Men) collected together for the first time in the oversized slipcase format! This slipcased edition features the two books "Hush"â€" an epic tale of friendship, trust and betrayal that spans the Dark K! night’s lifetime. This Absolute edition includes an all-new cover by Lee & Williams, a Jim Lee Sketchbook and issue-by-issue commentary by the creative team.SpaRitual offers the first vegan family of nail lacquers, free of DBP, formaldehyde and toluene. Color has the physiological power to soothe or seduce, nurture or ignite. By fusing the disciplines of color therapy, SpaRitual has designed a lush, shimmering palette of nail lacquers. Each SpaRitual shade is associated with a unique message or meaning. SpaRitual's color experts have carefully hand-blended each hue for superior shine, dry time and coverage and their signature brush is specially designed to allow for precise lacquer application. Benefits: ?100% vegan, free of DBP, formaldehyde and toluene. ?Hand-blended to ensure superior shine, dry time and coverage. ?Specially designed brush allows for precise lacquer application.

The Heartbreak Kid (Widescreen Edition)

  • Rechargeable model, with FREE keychain!
After her brilliant career in a comedy duo with Mike Nichols, Elaine May made tentative progress as a director, making only four films between 1971 and 1987 (her last being the disastrous but underrated Ishtar). Released in 1972, The Heartbreak Kid (from a screenplay by Neil Simon) is widely considered her best work from behind the camera, and it's still one of the most accomplished--but least recognized--comedies of the 1970s. Charles Grodin landed one of his best roles as Lenny, a newlywed husband who meets a gorgeous blonde (Cybill Shepherd) while on his honeymoon, and finds his new bride, Lila (played by May's daughter, Jeannie Berlin), unappealing by comparison. When Lila is forced to rest with a severe case of sunburn, Lenny's free to pursue his new interest, oblivious to the manipulative games that he'll soon be subjected to. May a! nd screenwriter Simon draw plenty of pain, awkwardness, and embarrassment from hilarious situations, giving this comedy a perceptive awareness of human foibles and unchecked desires. It's a newlywed's worst nightmare come true, made enjoyable because we're watching it happen to someone else. Grodin's a prime choice of casting for expressing the movie's lusty anxiety--he's a schmuck, but you can still sympathize with the anguish he's brought on himself. --Jeff ShannonMore and more American children are emotionally hurt early in life and cannot form the relationships necessary to heal themselves. The cost to America as these children become adults is beyond estimation. This book takes a hard-hitting look at our society's key role in creating uncontrollable, unreachable young people and the no-nonsense steps we absolutely must take toward a genuine solution.Studio: Paramount Home Video Release Date: 05/06/2008 Run time: 115 minutes Rating: RBen Stiller and the Farrel! ly brothers bring out the best in each other. In The Heartb! reak Kid , Stiller plays Eddie Cantrow, who--persuaded by his father and friends that he's commitment-phobic--marries a gorgeous and seemingly ideal woman named Lila (Malin Akerman, The Brothers Solomon) that he's been dating for several weeks. But after the wedding, things start to go awry... the least of these being that on their honeymoon, Eddie meets a woman who might truly be the girl of his dreams (Michelle Monaghan, Kiss Kiss Bang Bang). As in There's Something About Mary, writers/directors Bobby and Peter Farrelly push Stiller away from his increasingly schticky "tense guy" persona and draw out his sweeter, more multilayered earnest side. On his end, Stiller provides a human core to what could just be a festival of raunch and absurdity (the movie features aroused donkeys, deviated septum jokes, and digitally-enhanced body hair, among other items of questionable taste). It only takes a quick comparison with Jim Carrey in Me, Myself & Irene or Ja! ck Black in Shallow Hal to see what a surprisingly delicate balance that is. The Heartbreak Kid may not be quite as wildly sublime as There's Something About Mary, but it comes extremely close, with kudos to Akerman for her unrestrained nuttiness. --Bret Fetzer
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