Kamis, 10 November 2011

Days of Being Wild

Dylan Dog: Dead of Night - Movie Poster - 27 x 40 Inch (69 x 102 cm)

  • You are looking at a great poster.
  • This poster measures approx. 27 x 40.
  • Rolled and shipped in a sturdy tube.
  • This poster is from Dylan Dog: Dead of Night (2010)
Dylan Dog (Brandon Routh) is a world famous private detective who specializes in the supernatural. Armed with an edgy wit and carrying an arsenal of silver and wood-tipped bullets, Dylan must track down a dangerous artifact before a war ensues between his werewolf, vampire and zombie clients living undercover in the monster infested backstreets of New Orleans.At a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide over most of! the well-trod areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare, and the in! gredients are there for a breezily enjoyable gore comedy. Ulti! mately, what makes Dylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of mopey cinematic nosferatus. More, please. --Andrew WrightThe adventures of supernatural private eye dylan dog who seeks out the monsters of the louisiana bayou in his signature red shirt black jacket and blue jeans. Studio: Tcfhe Release Date: 07/26/2011 Starring: Brandon Routh Taye Diggs Run time: 108 minutes Rating: Pg13 Director: Kevin MunroeAt a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide over most of the well-trod ! areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare, and the ingredients are t! here for a breezily enjoyable gore comedy. Ultimately, what ma! kes D ylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of mopey cinematic nosferatus. More, please. --Andrew WrightMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Celebrity

  • A reporter (Kenneth Branagh) assigned to the celebrity beat finds himself on a collision course with four of the most outrageous people he"s ever met: a sensuous starlet (Melanie Griffith), an-out-of-control movie star (Leonardo DiCaprio), an aspiring actress (Winona Ryder) and a sexy supermodel (Charlize Theron). Together they"re going to take him for an unforgettable walk on the wild side of fam
Woody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to h! is alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWoody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and cheats on the women in his life, then writ! es about their foibles in thinly disguised fiction. No wonder ! they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWoody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and! cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWith an incredible all-star cast, this critically acclaimed comedy takes a hysterical look at the pleasures and pitfalls of fortune and fame! Following their divorce, the lives of a restless writer and his inhibited ex-wife take off ! in outrageously unpredictable directions! While Lee (Kenneth B! ranagh - - HAMLET, OTHELLO) explores the wilder side of his newfound freedom, Robin (Judy Davis -- DECONSTRUCTING HARRY) begins an improbable transformaiton from neurotic schoolteacher to high-profile T.V. talk show host! Whether it's partying with supermodels, sexy encounters with movie stars, or interviews with the cream of high society, CELEBRITY offers you a riotous excuse to rub shoulders with the kind of people we all love to celebrate!Woody Allen's portrait of the celebrity life--as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's earlier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the once-marrieds, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. He tries his hands at ce! lebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. She runs into a producer (Joe Mantegna) who offers her a job as a TV personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, and a host of others.

While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation, which is so impeccable as to become irritating. His failure in the role, however, isn't entirely his fault, as it's ! also another in a long line of unlikable male protagonists tha! t Allen has created, as if daring audiences to hate his main characters after loving them in such movies as Manhattan and Annie Hall. He's never more unlikable than in a painful sequence in which he tags along with a spoiled, temperamental teen idol (a shrewd and clever Leonardo DiCaprio) and proves himself the quintessential noodge. Far more enjoyable misadventures with Branagh include Charlize Theron in the film's best performance as a libidinous supermodel with a penchant for echinacea; a stunning Famke Janssen as a successful book editor Branagh almost moves in with; and Winona Ryder, acting like an adult for the first time, as an aspiring actress who catches Branagh's eye more than once. All manage to slip through Branagh's fingers by the end of the film.

Despite the film's lack of focus, Allen aficionados will want this film for at least two wonderful moments, one in which Davis seeks solace from a streetwise fortune teller after she's fleeing her own weddin! g, and a beautiful nighttime scene in which Branagh romances a captivated Ryder at a subway kiosk. Both episodes prove that Allen, despite the fitful period he's moved into, still has that movie magic. --Mark Englehart

An American Haunting: The Bell Witch

  • ISBN13: 9780312363536
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A young couple down on their luck moves into an old Texas house--but something inside the house doesn't want them to stay in this original and horrifying novel about blackest evil."'By God, we've kicked the Vietnam syndrome,' crowed President George H. W. Bush when he repelled Iraq's invasion of Kuwait in 1991. He was wrong. The Vietnam debacle continues to haunt America's political leaders, military men, and population. Marvin Kalb and Deborah Kalb's account of this phenomenon is studiously researched, vividly narrated, and, above all, highly readable. It will stand as a major contribution to the subject."Ââ€"Stanley Karnow, author of Vietnam: A History, winner of the Pulitzer Prize

Th! e United States had never lost a warÂâ€"that is, until 1975, when it was forced to flee Saigon in humiliation after losing to what Lyndon Johnson called a "raggedy-ass little fourth-rate country." The legacy of this first defeat has haunted every president since, especially on the decision of whether to put "boots on the ground" and commit troops to war.

In Haunting Legacy, the father-daughter journalist team of Marvin Kalb and Deborah Kalb presents a compelling, accessible, and hugely important history of presidential decisionmaking on one crucial issue: in light of the Vietnam debacle, under what circumstances should the United States go to war?

The sobering lesson of Vietnam is that the United States is not invincibleÂâ€"it can lose a warÂâ€"and thus it must be more discriminating about the use of American power. Every president has faced the ghosts of Vietnam in his own way, though each has been wary of being sucked into another unpopular war. ! Ford (during the Mayaguez crisis) and both Bushes (Persian Gul! f, Iraq, Afghanistan) deployed massive force, as if to say, "Vietnam, be damned." On the other hand, Carter, Clinton, and Reagan (to the surprise of many) acted with extreme caution, mindful of the Vietnam experience. Obama has also wrestled with the Vietnam legacy, using doses of American firepower in Libya while still engaged in Iraq and Afghanistan.

The authors spent five years interviewing hundreds of officials from every postwar administration and conducting extensive research in presidential libraries and archives, and they've produced insight and information never before published. Equal parts taut history, revealing biography, and cautionary tale, Haunting Legacy is must reading for anyone trying to understand the power of the past to influence war-and-peace decisions of the present, and of the future.
Known throughout Tennessee as "Old Kate," the Bell Witch took up residence with John Bell's family in 1818. It was a cruel and noisy spirit, given to rappi! ng and gnawing sounds before it found its voices.

With these voices and its supernatural acts, the Bell Witch tormented the Bell family. This extraordinary book recounts the only documented case in U.S. history when a spirit actually caused a man's death.

The local schoolteacher, Richard Powell, witnessed the strange events and recorded them for his daughter. His astonishing manuscript fell into the hands of novelist Brent Monahan, who has prepared the book for publication. Members of the Bell family have previously provided information on this fascinating case, but this book recounts the tale with novelistic vigor and verve. It is truly chilling.

The Ultimate Secrets of Total Self-Confidence (Revised)

  • ISBN13: 9780425221891
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
You never again need feel powerless in the face of uncertainty, awkward with strangers, or helpless in new situations. With What's Holding You Back?, Sam Horn shows you the way to a solid sense of self-assurance that doesn't depend on where you are or who you're with. This is a practical, user-friendly program that is filled with techniques you can begin using immediately. In With What's Holding You Back? you will learn how to:

-Walk into a room full of strangers and turn them into friends.
- Be a self-coach rather than your own worst critic, able to turn mistakes into lessons instead of failures.
- Converse with comfort and never again worry about what to say.- Go places alone and have fun instead of being intimidated.
- Spring free from the comparison trap.

With Sam Horn's down-to-earth advice, amusing anecdotes, and no-nonsense wisdom, this valuable guide will benefit anyone-- regardless of background or circumstance-- who wants to move through life with ever-present grace, serenity, and strength.

“If you are serious about gaining more confidence, you must get this book!”
--Robert Allen, bestselling author of The One Minute Millionaire

Imagine having the confidence and courage to go after your goals: a successful career; a rewarding relationship; a richer, fuller life. If you can dream it, you can do it--using the scientific methods of Neurolinguistic Programming (NLP). Through NLP, author Kent Sayre transformed himself from a painfully shy introvert into one of the nation's most dynamic NLP trainers. He's taught thousands how to break out of their shells and go aft! er their dreams. Now, with his proven system, you too can harn! ess the power of NLP and:

  • Blast out of your comfort zone
  • Shatter your limiting beliefs
  • Boost your confidence--instantly!

This isn't a collection of “pie in the sky” theories and “go for it” pep talks. It's a step-by-step program of ready-to-use tools, verbal and nonverbal techniques, and practical thinking exercises that direct your mind toward your goals. You'll be amazed how easy it is to interact with others; embrace opportunities; and enjoy parties, activities, work functions, and more.

“This wonderful book will give you the boost toward success that can make all the difference!”
--Brian Tracy, author of Maximum Achievement

The hidden history of Wall Street and the White House comes down to a single, powerful, quintessentially American concept: confidence. Both centers of power, tapping brazen innovations over the past three decades, learned how to manufacture it.

Unti! l August 2007, when that confidence finally began to crumble.

In this gripping and brilliantly reported book, Ron Suskind tells the story of what happened next, as Wall Street struggled to save itself while a man with little experience and soaring rhetoric emerged from obscurity to usher in “a new era of responsibility.” It is a story that follows the journey of Barack Obama, who rose as the country fell, and offers the first full portrait of his tumultuous presidency.

Wall Street found that straying from long-standing principles of transparency, accountability, and fair dealing opened a path to stunning profits. Obama’s determination to reverse that trend was essential to his ascendance, especially when Wall Street collapsed during the fall of an election year and the two candidates could audition for the presidency by responding to a national crisis. But as he stood on the stage in Grant Park, a shudder went through Barack Obama. He would now h! ave to command Washington, tame New York, and rescue the econo! my in th e first real management job of his life.

The new president surrounded himself with a team of seasoned playersâ€"like Rahm Emanuel, Larry Summers, and Tim Geithnerâ€"who had served a different president in a different time. As the nation’s crises deepened, Obama’s deputies often ignored the president’s decisionsâ€"“to protect him from himself”â€"while they fought to seize control of a rudderless White House. Bitter disputesâ€"between men and women, policy and politicsâ€"ruled the day. The result was an administration that found itself overtaken by events as, year to year, Obama struggled to grow into the world’s toughest job and, in desperation, take control of his own administration.

Pulitzer Prizeâ€"winning journalist Ron Suskind introduces readers to an ensemble cast, from the titans of high finance to a new generation of reformers, from petulant congressmen and acerbic lobbyists to a tight circle of White House advisersâ€"and, ultimately,! to the president himself, as you’ve never before seen him. Based on hundreds of interviews and filled with piercing insights and startling disclosures, Confidence Men brings into focus the collusion and conflict between the nation’s two capitalsâ€"New York and Washington, one of private gain, the other of public purposeâ€"in defining confidence and, thereby, charting America’s future.

This lively and dramatic audio program reveals powerful and proven-effective methods and techniques to help listeners achieve power and influence over people. 2 cassettes.

The hidden history of Wall Street and the White House comes down to a single, powerful, quintessentially American concept: confidence. Both centers of power, tapping brazen innovations over the past three decades, learned how to manufacture it.

Until August 2007, when that confidence finally began to crumble.

In this gripping and brilliantly reported book, Ron Suskind tells the story of wha! t happened next, as Wall Street struggled to save itself while! a man w ith little experience and soaring rhetoric emerged from obscurity to usher in “a new era of responsibility.” It is a story that follows the journey of Barack Obama, who rose as the country fell, and offers the first full portrait of his tumultuous presidency.

Wall Street found that straying from long-standing principles of transparency, accountability, and fair dealing opened a path to stunning profits. Obama’s determination to reverse that trend was essential to his ascendance, especially when Wall Street collapsed during the fall of an election year and the two candidates could audition for the presidency by responding to a national crisis. But as he stood on the stage in Grant Park, a shudder went through Barack Obama. He would now have to command Washington, tame New York, and rescue the economy in the first real management job of his life.

The new president surrounded himself with a team of seasoned playersâ€"like Rahm Emanuel, Larry Summers, and Tim ! Geithnerâ€"who had served a different president in a different time. As the nation’s crises deepened, Obama’s deputies often ignored the president’s decisionsâ€"“to protect him from himself”â€"while they fought to seize control of a rudderless White House. Bitter disputesâ€"between men and women, policy and politicsâ€"ruled the day. The result was an administration that found itself overtaken by events as, year to year, Obama struggled to grow into the world’s toughest job and, in desperation, take control of his own administration.

Pulitzer Prize-winning journalist Ron Suskind intro-duces readers to an ensemble cast, from the titans of high finance to a new generation of reformers, from petulant congressmen and acerbic lobbyists to a tight circle of White House advisersâ€"and, ultimately, to the president himself, as you’ve never before seen him. Based on hundreds of interviews and filled with piercing insights and startling disclosures, Confidence ! Men brings into focus the collusion and conflict between t! he natio n’s two capitalsâ€"New York and Washington, one of private gain, the other of public purposeâ€"in defining confidence and, thereby, charting America’s future.

The hidden history of Wall Street and the White House comes down to a single, powerful, quintessentially American concept: confidence. Both centers of power, tapping brazen innovations over the past three decades, learned how to manufacture it.

Until August 2007, when that confidence finally began to crumble.

In this gripping and brilliantly reported book, Ron Suskind tells the story of what happened next, as Wall Street struggled to save itself while a man with little experience and soaring rhetoric emerged from obscurity to usher in “a new era of responsibility.” It is a story that follows the journey of Barack Obama, who rose as the country fell, and offers the first full portrait of his tumultuous presidency.

Wall Street found that straying from long-standing principles of transpare! ncy, accountability, and fair dealing opened a path to stunning profits. Obama’s determination to reverse that trend was essential to his ascendance, especially when Wall Street collapsed during the fall of an election year and the two candidates could audition for the presidency by responding to a national crisis. But as he stood on the stage in Grant Park, a shudder went through Barack Obama. He would now have to command Washington, tame New York, and rescue the economy in the first real management job of his life.

The new president surrounded himself with a team of seasoned playersâ€"like Rahm Emanuel, Larry Summers, and Tim Geithnerâ€"who had served a different president in a different time. As the nation’s crises deepened, Obama’s deputies often ignored the president’s decisionsâ€"“to protect him from himself”â€"while they fought to seize control of a rudderless White House. Bitter disputesâ€"between men and women, policy and politicsâ€"ruled the day! . The result was an administration that found itself overtaken! by even ts as, year to year, Obama struggled to grow into the world’s toughest job and, in desperation, take control of his own administration.

Pulitzer Prize-winning journalist Ron Suskind intro-duces readers to an ensemble cast, from the titans of high finance to a new generation of reformers, from petulant congressmen and acerbic lobbyists to a tight circle of White House advisersâ€"and, ultimately, to the president himself, as you’ve never before seen him. Based on hundreds of interviews and filled with piercing insights and startling disclosures, Confidence Men brings into focus the collusion and conflict between the nation’s two capitalsâ€"New York and Washington, one of private gain, the other of public purposeâ€"in defining confidence and, thereby, charting America’s future.

Learn to appreciate yourself with these ten simple solutions for building self-esteem. These easy-to-grasp tips for fostering a positive sense of self distill and add to! many of the best, most effective techniques from the author Glenn Schiraldi's successful Self-Esteem Workbook. They draw on techniques from Eastern and Western traditions; mindfulness practice, thought-watching, strengths appreciation, and more. With the simple solutions in this book and a little practice, you can discover what a wonderful and valuable person you really are.

The secret behind The Secret- the originator of the belief in the power of positive thinking delivers a completely revised guidebook to success.

Before Rhonda Byrnes delivered the blockbuster bestseller The Secret, Dr. Robert Anthony was delivering the principles of Total Self-Confidence. Here Dr. Anthony, bestselling author of Think Big, reveals the secrets he has taught in seminars and workshops that have changed thousands of lives. Executives, star athletes, and celebrities know how total self-confidence can make one soar, and anyone can learn h! ow to achieve it in their daily lives. The Ultimate Secrets! of Tota l Self-Confidence features advice on:

- Tapping into creative imagination
- Clearing the mind of fear, worry, and guilt
- The best ways to communicate, and the art of small talk
- The simplest ways to get a perspective and set goals
- The joys and benefits of being different

Now revised by the author, this is the book for advancement in career, family, love life, finances, and mental and physical health.

Rabu, 09 November 2011

Death at a Funeral

  • Condition: New
  • Format: DVD
  • AC-3; Closed-captioned; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
From acclaimed director Frank Oz (In & Out, Dirty Rotten Scoundrels) comes "a fast, furious and riotously funny farce" (Maxim) that'll have you dying with laughter!

As the mourners and guests at a British country manor struggle valiantly to "keep a stiff upper lip," a dignified ceremony devolves into a hilarious, no-holds-barred debacle of misplaced cadavers, indecent exposure, and shocking family secrets. Packed with extras including audio commentaries and an uproarious gag reel, Death at a Funeral blows the lid off the proverbial coffin as "the film's delicious comic flourishes... sight gags, slapstick, flawless timing... are served up by an outstanding cast" (O, The Oprah Magazine).Though it doesn't hit the same comic heights as Bowfinger, Death at a Funer! al is a fun little romp. Granted, not all of the characters are meant to be humorous, like Daniel (Matthew Macfadyen, Pride & Prejudice) and his wife, Jane (Keeley Hawes, Tristram Shandy), straight-faced foils for the more over-the-top performers. After Daniel's father passes away, the couple offers to host the funeral, so all his relatives descend on the family abode, including Daniel's estranged brother, Robert (Rupert Graves, V for Vendetta). The mood is already tense when their cousin, Martha (Daisy Donovan), arrives with her nervous fiancé, Simon (Alan Tudyk, Serenity). On the way over, Simon takes a Valium that's actually a hallucinogenic concoction cooked up by Martha's pharmacology student brother. By the time they arrive, Simon's inhibitions are gone with the wind. Other guests include Uncle Alfie (Peter Vaughn) and an uninvited American mourner (Peter Dinklage). By the end of the movie, one of these individuals will be dead. Though! he's worked in the States for several decades, director Frank! Oz was born in the UK, and Death at a Funeral feels like the work of a British filmmaker. As drawing room comedies go, it may not rival Arsenic and Old Lace, but it's still funnier than most. If the film has a flaw, it's one misjudged moment of scatological humor, which is sure to induce more cringes than giggles. Fortunately, it's over quickly, and Tudyk's hilarious performance provides ample compensation. --Kathleen C. Fennessy

Beyond Death at a Funeral


More from Frank Oz

More British Comedies

More from MGM



Stills from Death at a Funeral







A funeral ceremony turns into a debacle of exposed family secrets and misplaced bodies. Studio: Sony Pic! tures Home Ent Release Date: 08/10/2010 Starring: Keith Davi! d Run t ime: 92 minutes Rating: R Director: Neil LabriteLess than three years after the 2007 Brit-com Death at a Funeral hit theaters, this remake offered a nearly scene-for-scene variation on the original. Once again a family has gathered for the dignified memorial service for a patriarch: older son (Chris Rock) has prepared a eulogy; younger son (Martin Lawrence) has flown in on his celebrity as a bestselling author; favorite niece (Zoe Saldana) has brought her fiancé (James Marsden, flipping out), unaware that he has accidentally ingested a hallucinogen manufactured by her pharmaceutically minded brother (Columbus Short, from Cadillac Records). You know, the usual fare for a funeral. The wild card is a stranger (Peter Dinklage, the only member of the cast to repeat his role from the 2007 film) who has something urgent to impart to the two sons. There's nothing terribly elevated about the slapstick, and one particular scatological sequence tests the boundaries of ! the bearable (30 Rock's Tracy Morgan, in his usual unbounded form, takes the brunt of this scene). The unexpected director is Neil LaBute, who shows off his sense of comic timing and keeps the whole apparatus moving along briskly. In addition to the relatively subdued lead turns by Rock and Lawrence, the big cast includes Danny Glover, Regina Hall, Luke Wilson, and Loretta Devine. It is almost irrelevant to debate whether this version improves or deflates the original; both hit their marks, deliver the broad yuks, and leave behind a mostly mechanical feel. But the job is accomplished--now rest in peace. --Robert Horton

Dreamgirls (Widescreen Edition)

  • Actors: Jamie Foxx, Eddie Murphy, Jennifer Hudson, Beyoncé Knowles.
  • Format: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC.
  • Language: English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1), French (Dolby Digital 5.1).
  • Region: Region 1 (U.S. and Canada only).
  • DVD Release Date: May 1, 2007. Run Time: 130 minutes.
Director Bill Condon brings Tom Eyen's Tony award-winning Broadway musical to the big screen in a tale of dreams, stardom, and the high cost of success in the cutthroat recording industry. The time is the 1960s, and singers Effie (Jennifer Hudson), Lorrell (Anika Noni Rose), and Deena (Beyoncé Knowles) are about to find out just what it's like to have their wildest dreams come true. Discovered at a local talent show by ambitious manager Curtis Taylor Jr. (Jamie Foxx), the trio known as "the Dreamettes" is soon offered the once-! in-a-lifetime opportunity of opening for popular singer James "Thunder" Early (Eddie Murphy). Subsequently molded into an unstoppable hit machine by Taylor and propelled into the spotlight as "the Dreams," the girls quickly find their bid for the big time taking priority over personal friendship as Taylor edges out the ultra-talented Effie so that the more beautiful Deena can become the face of the group. Now, as the crossover act continues to dominate the airwaves, the small-town girls with big-city dreams slowly begin to realize that the true cost of fame may be higher than any of them ever anticipated.The spirit of Motown runs through the long-awaited film adaption of the Broadway musical Dreamgirls, which centers around a young female singing trio who burst upon the music scene in the '60s, complete with bouffant hairdos, glitzy gowns, and a soul sound new to the white-bread American music charts. Sound familiar? You aren't the first one to draw comparisons to th! e meteoric rise of the Supremes, and despite any protests to t! he contr ary, this is most definitely a thinly veiled reinterpretation of that success story. The Dreamettes--statuesque Deena (Beyonce Knowles), daffy Lorell (Anika Noni Rose) and brassy Effie (Jennifer Hudson)--are a girl group making the talent-show rounds when they're discovered by car salesman and aspiring music manager Curtis Taylor Jr. (Jamie Foxx). Sensing greatness (as well as a new marketing opportunity) Curtis signs the Dreamettes as backup singers for R&B star James "Thunder" Early (Eddie Murphy). But when Early's mercurial ways and singing style don't mesh with primarily white audiences, Curtis moves the newly-renamed Dreams to center stage--with Deena as lead singer in place of Effie. And that's not the only arena in which Effie is replaced, as Curtis abandons their love affair for a relationship with star-in-the-making Deena.

Besides the Supremes comparison, one can't talk about Dreamgirls now without revisiting its notorious Oscar snub; though it received ! eight nominations, the most for any film from 2006, it was shut out of the Best Picture and Director races entirely. Was the oversight justified? While Dreamgirls is certainly a handsomely mounted, lovingly executed and often vibrant film adaptation, it inspires more respect than passion, only getting under your skin during the musical numbers, which become more sporadic as the film goes on. Writer-director Bill Condon is definitely focused on recreating the Motown milieu (down to uncanny photographs of Knowles in full Diana Ross mode), he often forgets to flesh out his characters, who even on the Broadway stage were underwritten and relied on powerhouse performances to sell them to audiences. (Stage fans will also note that numerous songs are either truncated or dropped entirely from the film.) Condon has assembled a game cast, as Knowles does a canny riff on the essence of Diana Ross' glamour (as opposed to an all-out impersonation) and Rose makes a peripheral char! acter surprisingly vibrant; only Foxx, who never gets to pour ! on the c harisma, is miscast. Still, there are two things even the most cranky viewers will warm to in Dreamgirls: the performances of veteran Eddie Murphy and newcomer Jennifer Hudson. Murphy is all sly charm and dazzling energy as the devilish Early, who's part James Brown, part Little Richard, and all showman. And Hudson, an American Idol contestant who didn't even make the top three, makes an impressive debut as the larger-than-life Effie, whose voice matches her passions and stubbornness. Though she sometimes may seem too young for the role, Hudson nails the movie's signature song, "And I Am Telling You I'm Not Going," with a breathtaking power that must be seen and heard to believe. And for those five minutes, if not more, you will be in Dreamgirls' thrall. --Mark Englehart

Beyond Dreamgirls


Other Musicals on DVD

More Motown on DVD

The Soundtrack

Stills from Dreamgirls (click for larger image)











Trilogy of Terror (Special Edition)

  • Legendary producer/director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays four
It's back! The classic TV MOW that continues to cast a spell almost 40 years after it was first broadcast; in a new remastered and enhanced edition. Sally (Kim Darby) and Alex Farnham's (Jim Hutton) marriage has a sinister wedge driven through it; when her occult "imaginings" threaten to derail his career after they inherit Sally's grandmother's house. Also starring William Demarest. Enhanced Content: Superfan commentary track from horror fans and pros Jeffrey Reddick, Steve Barton ("Uncle Creepy") ! and Sean Abley.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

An old house...a mysterious locked room... a terrifying secret. Elements that make a horror movie memorably chilling get a taut, spooky reworking in Don't Be Afraid of the Dark. Kim Darby (True Grit) and Jim Hutton (The Green Berets) star as Sally and Alex, young marrieds who inherit a crumbling mansion. Despite warnings to leave well enough alone in her new home, Sally unlocks the mysterious room, opens a bricked-up fireplace - and unleashes a horde of hideous, whispering, murdering mini-demons only she can see and hear. Alex thinks she's imagining things. We know she isn't. And we know Sally should be very, very afraid of the dark!

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Legendary producer / director Dan Curtis (DARK SHADOWS, THE NIG! HT STALKER) teams up with writers Richard Matheson (I AM LEGEN! D, THE T WILIGHT ZONE) and William F. Nolan (LOGAN’S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays no less than four distinct roles. In "Julie," an aggressive college student seduces and ultimately blackmails his seemingly shy English professor. In "Millicent and Therese," two polar-opposite sisters become increasingly hell-bent on the undoing of one another. And in "Amelia," a woman falls prey to a murderous Zuni fetish doll.

Dan Curtis, the creator and producer of such out-of-the-ordinary TV classics as the willfully offbeat gothic soap opera Dark Shadows and the proto-X-Files series The Night Stalker, remains best known for the Zuni fetish doll that terrorizes Karen Black in Trilogy of Terror. The wild-eyed doll, with its snapping jaws and screeching yells, borders on camp, y! et its relentless attacks and single-minded, homicidal drive make it an absolutely terrifying figure in the climactic chapter of this trilogy of short films based on stories by Richard Matheson. In the first story, "Julie," Karen Black plays a mousy college professor blackmailed by an obsessed student, and in "Millicent and Therese" she plays sisters consumed with an intense hatred of one another that comes to a head when their father dies. Both of these films conclude with Twilight Zone-ish twists and are more clever than gripping, kept alive mostly by Black's gleefully theatrical performances. With "Amelia," however, Black delivers an almost solo show, playing against the famous Zuni fetish doll, a wooden statue that comes to life when the a protective chain slips off the figure and releases the evil spirit. Curtis turns her apartment into a claustrophobic cage trapping the increasingly hysterical woman as the unstoppable figure hacks at her legs with a kitchen kni! fe and chomps down on her arms and neck with the relentless in! tensity of a bulldog. It's still a classic of small-screen horror. --Sean Axmaker
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